SOUND ON SOUND
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Paul Austin looks at a sound and vision system which brings true multimedia closer than ever before: Toccata.
Brian Heywood looks back over the past year of PC music activity.
Paul White examines 3 different tips & tricks to help with vocals, guitars, and MIDI production.
Paul White examines 3 different tips & tricks to help with vocals, guitars, and MIDI production.
Even in the simplest MIDI system, there is often a need to switch between one MIDI source and another. For example, when...
Kendall Wrightson signs off as your Mac correspondent with a look at what's in store for '94.
Derek Johnson examines one of the more affordable recorders, the Aiwa XD-S1100.
An investigation of the latest offering from Penny & Giles, the Rolls Royce of fader manufacturers.
Alesis are one of the acknowledged leaders in affordable digital recording equipment, but can they compete in the crowded world of studio monitoring?
This deceptively small console conceals a sophisticated VCA automation system that can be used independently or in conjunction with external MIDI devices.
If you're looking for instant gratification in the effects department, ART have something that'll do nicely — as Paul White finds out.
Steven Helstrip checks out a four-program PC package which aims to cover all the MIDI production bases.
Wanna record professional quality audio on your PC's hard disk? Brian Heywood investigates the temptingly low cost route offered by Digital Audio Labs' plug-in cardD system.
Synthesist Ian Boddy steps back in time to report on the classic British sound machine, regularly found haunting the electronic music departments of many a university, and a recent addition to the author's own sonic armoury.
In an age of ever‑growing polyphony, Studio Electronics, best known for their vintage synth rebuilds, have returned to first principles — to create the first analogue monosynth for almost a decade. So how does this MIDI‑equipped modern classic measure up to its vintage forbears?
Craig Anderton's QY10 goes everywhere with him — and he's developed loads of useful short-cuts to help QY10 owners make even better use of this brilliant musical notepad.
In this final instalment, we present a practical overview of the 'room‑within‑a‑room' principle which is used in the construction of virtually all major studios.
Having dealt with walls and floors, we move on to the floors and ceilings of the studio, with a view to reducing sound leakage even further.
We turn our attention to uprating studio walls, as well as techniques for building sound‑isolating partitions.