SOUND ON SOUND
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Hugh Robjohns continues SOS's series on surround sound with a detailed look at Dolby Pro Logic, the widely used surround system originally developed for use in the cinema, and considers how you might adapt your home recording setup to allow mixing in this format.
Paul White tests the solid-state counterpart to Rode's recent NTK valve mic.
Software samplers are not new, but until now they have only existed as stand-alone applications or sequencer-specific plug-ins. Paul Sellars investigates Steinberg's HALion, which offers close integration with Cubase VST, but can also be used as a VST-format plug-in from other sequencers.
In the second instalment of this two-part retro, Gordon Reid recalls FM's finest hour, and describes the heyday of what was perhaps the most successful family of synthesizers ever developed.
The latest in Korg's series of dance-friendly Electribe groove workstations is sample- rather than synthesis-based, but serves up the same beguiling blend of hands-on user interface and cutting-edge sounds and effects as its predecessors. Nicholas Rowland takes it for a spin...
As a musician, you may well have heard of Dolby A, B and C - but Dolby E? Dave Shapton introduces the format and speculates about its possible implications for music recording.
Roland's eagerly awaited new flagship VS workstation builds on the success of the VS1680 and VS1880, offering a massive range of features including 24-track, 24-bit and 96kHz recording, a 64-channel digital mixer, up to eight stereo effects processors, 24-voice phrase sampling, and an enhanced graphical output for a VGA monitor.
Richard Buskin meets a successful American composer who's specialised in a unique kind of music for television...
Eventide's new entry-level unit brings their high-end algorithms within reach of the serious home studio owner.
Bob Prance and Pete Phillips & A Story At Bedtime Productions
Dave Shapton explains why he doesn't play live any more!
Advice on how to best automate your plug-in parameters, as well as tips for lightening-fast comping and a power-user trick for simulating double-tracking using Autotune.
Gorillaz have made waves as the first 'virtual band' to achieve real chart success. Behind the animated characters, however, lurk real engineers and musicians... Sam Inglis tracks them down to find out how they recorded their debut hit.
Craig Anderton shows you how to use Acid, the popular composition tool, to create your own original sample loops.
Paul Wiffen reveals highlights of the MacWorld Expo, and laments the passing of Apple's earliest UK evangelist while celebrating his permanent contribution to popular culture.
This month, we explore the murky world of Cubase's Master track in a bid to teach it the tempo of a MIDI part. There's also some hot news about updates and an excellent shareware reverb plug-in, as well as the usual tips and tricks.
Martin Walker takes a look at the latest update to the Nemesys Gigastudio, and reports on a disturbing trend for shareware developers.