SOUND ON SOUND
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SKnote's new control surface has been designed for a variety of tasks including synth programming, real-time performance control and providing hands-on control over a DAW session.
Majetone have recently announced the launch of a new virtual instrument that offers a new take on drums, reimagining the drum kit as a fully chromatic, synthesizer-style sound source.
Casio Music UK have announced that their Casio Sessions competition has returned...
Analogue Solutions’ AS500‑Seq is defiantly old‑school, eschewing quantisation, MIDI and encoders...
If you’re looking for a controller keyboard that’s both compact and affordable, Arturia have got just the thing...
Network cables don’t have to carry digital traffic. As Ashton Research’s debut range capably demonstrates, they can also work well in the analogue domain.
Baby Audio escalate their war on bad‑sounding audio with a vastly more powerful toolset for tackling problem resonances.
Offering all the essential facilities at a lower price point, could the new Core version of the Tube Amp Expander be a serious competitor to the original flagship model?
If you want proof that original independent music software is still flourishing, you need look no further than Stacks.
The new DAWproject file format promises straightforward project transfers between Cubasis and Cubase.
These modules pair a vintage‑style EQ with a clever saturation feature — and the stereo MQ‑2 also brings controllable compression to the table.
Dreamtonics take their session singer in software to the next level.
In updating their classic M Series, Dynaudio Acoustics show that passive doesn’t need to mean low‑tech.
EastWest explore the world of traditional wind instruments with characteristic style in their latest sample library.
Part fuzz, part guitar synth, this quirky pedal was conceived with horror soundtracks in mind. But it’s not a one‑trick pony...
This compact converter offers an easy way to expand your audio interface.
Lincoln Barrett’s musical journey started in the box, but 20 years on, he’s reinventing his trademark liquid funk sound with vintage hardware.
Power co‑produced some of Robbie Williams’ biggest‑selling albums and, asked to select a favourite sound, Power recalls how he got the layered drum sound on Williams’ 1998 single ‘No Regrets’.
Swedish hard rock band Ghost have topped charts worldwide — with an album that was mixed twice!
MIDI pedals are more sophisticated and configurable today than they once were, which is great news. But it does mean the quality of the setup software is really important...