SOUND ON SOUND
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After last month's overview of the equipment and processes involved in compiling an album master from mixes, Paul White gets down to the business of sorting out wanted audio from unwanted...
If you are short of space, the prospect of fitting a 40-input dual-channel mixer into a 10U rackmounting case will certainly be attractive. Martin Walker follows some leads.
Laptop computers have tended to be difficult to use for music, one of the main problems being their limited or non-existant audio I/O. Vo Fletcher tries out a product which eliminates this shortcoming.
As computer power grows, so an ever-increasing range of studio equipment is becoming available in emulated form, and the latest software instrument to appear is a percussion sampler/sequencer from US company Bitheadz. Nicholas Rowland tests it out.
Paul White tries desktop masterifng using the new all-in-one PC or Mac package from IK Multimedia.
Mike Senior wonders to what extent our creative decisions are really free and how much they're dictated by the studio gear we know and trust.
Finding it difficult to compile your audio files and regions for CD-burning in exactly the way you want them? Paul White tries Adaptec's Jam, and discovers there's nothing sticky about it at all.
Downloading samples and other resources from the Internet can be a valuable alternative to buying expensive sample CDs and CD-ROMs. Paul Sellars unearths some of the best sites.
Martin Russ brings post-Christmas good cheer and looks at some second-hand sale bargains. Finally, there's news of free Mac shareware form SOS...
What is the situation with defragmenting audio drives? I don't generally use long streams of audio for multitrack...
I've just bought a MOTU MIDI Timepiece AV interface, and I am unable to get my Apple Performa 630 to recognise it at the...
I am hoping to raise funds to purchase equipment for a home recording studio. With this I then want to write songs...
Having laid bare the inner workings of oscillators, contour generators and filters, Gordon Reid turns his attention to something which at first sight seems entirely self-evident. Can the humble voltage-controlled amplifier really hold any Synth Secrets?
The model number might lead you to believe the C3000B is a variant of the C3000, but it has a totally different capsule and is designed to produce a tonal response that is quite different.
Although it has an exceptionally low-mass diaphragm, just two microns thick, the AT4047/SV is still remarkably robust.
The CS6X has more features than any previous Yamaha Control Synth, with plenty of polyphony, real-time controllers, onboard effects, and basic sampling. You can even fit PLG expansion cards, giving you access not only to fresh sounds, but also other forms of synthesis.
STRINGS
Vns, Vas, Ces: marc.
Dbs...
Paul White goes green with the latest JoeMeek recording channel.
Nick Magnus gets his hands on an instrument which is claimed to provide the best reproduction yet of the feel — and sound — of an acoustic piano.