
DIY Mastering
While mastering in a home or project studio is unlikely to produce the very best results, Cubase SX does have some basic tools for those who want (or have) to adopt a DIY approach.
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While mastering in a home or project studio is unlikely to produce the very best results, Cubase SX does have some basic tools for those who want (or have) to adopt a DIY approach.
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More food for thought from SOS's Editor In Chief, Paul White.
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The annual MIDEM conference is the music industry's biggest shop floor and networking opportunity — and whether you're an artist, a DJ or a producer, you can do business there. Read on...
Global Tracks let you manipulate the bars and beats of your Song to match freely-played MIDI or audio recordings. Find out how to tempo-match...
Despite having a generally well-balanced mix, James Michael felt that his track wasn't sounding quite right, so he contacted Mix Rescue for some mastering pointers. Check out the 'before' and 'after' mixes while you pick up some useful tips.
General MIDI synths are rarely glamorous, but there's no reason why they should not sound as good as more professional alternatives — that, at least, is the thinking behind NI's Bandstand soft synth.
In the past, tie-in video games have had to use samples to recreate real orchestral soundtracks from the original TV series or film. With 24: The Game, however, it was the other way around.
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When it comes to controlling sequence tempo and imposing a meaningful beat structure on freely-recorded MIDI and audio, DP has plenty of tricks up its sleeve — including Live-like 'liquid audio' powers.
PSP's latest plug-in covers the spectrum from vintage tape-echo emulation to serious weirdness.
Do I really need to use a 'matched pair' of microphones, or even two mics of the same make and model, for stereo recording...
If you have two bits of gear that you'd like to run into your computer interface via S/PDIF, do you need two S/PDIF inputs?
We have set up a new recording studio at our school [Radley College in Oxfordshire]. It's not huge, but we do...
I've seen it suggested that compressing the stereo bus is the key to getting a mix to come together and sound 'like a record'. Is this really the case?