SOUND ON SOUND
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We explain how you can mock up a live acoustic guitar sound from a DI'd recording, using Logic's built-in plug-ins.
With two market-leading Firewire audio interfaces already part of the MOTU stable, where does the new mobile recording-oriented Traveler find its natural home?
Will Mowat made his name first as a sequencer expert and then as a writer with Soul II Soul. As a world music producer, his recent projects provide inspirational examples of how to combine performance with programming and overcome the limitations of a bare-bones budget.
This cheery new unit brings clean eight-channel mixing to the cash-strapped home studio.
The magic number of 64 is gradually working its way into all aspects of our PC experience: processors from both AMD and Intel, the Windows XP OS, hardware drivers, and — coming soon — 64-bit music apps. But what should we be aware of as we consider the transition from 32-bit?
Does defragmenting your hard drives, including the ones you use for recording audio, really result in better PC performance? Opinion is divided, so we take a considered look at the subject, as well as testing some of the most suitable 'defragger' utilities.
Now that the excitement surrounding the launch of DP 4.5 has subsided somewhat, developments by MOTU-friendly companies get this month's column under way.
If you are a user of MOTU's Digital Performer sequencing software, you have access to an extensive and full-featured automated mixing environment. Here's how to use it...
This month sees a high-quality, free EQ plug-in gracing the Digirack suite, some intriguing options for collaboration via the Internet, and a host of updates.
For the first time ever, Digidesign's Pro Tools recording software is available as a stand-alone product, which can be used in conjunction with any of five audio interfaces from M-Audio.
Pyramix might be the new kid on the block as far as audio recording and editing are concerned, but that hasn't stopped it quickly proving itself a very serious rival to Pro Tools and other established DAWs.
Back in 1986-7, there was an ad for an amazing and inexpensive technique which, it claimed, added many more audio tracks to your eight-track reel-to-reel tape machine. How did it work?
I previously owned a DPS12 and that was fairly simple, but the DPS24 manual talks about using 'groups' to route inputs to tracks. What is a group and how are they used?
I've been coming home from gigs recently with my ears ringing and I'm worried about damaging my hearing. What kind of (preferably unobtrusive) ear protection should I be looking at?
I have a Neutrik quarter-inch jack patchbay that I'm having problems with. The unit is only a few months old but already I...
Most people find that learning keyboard commands for their DAW enables them to get things done faster, and for the advanced user, Pro Tools has a special mode which turns the entire QWERTY keyboard into a bank of one-press shortcuts.
If I limit using a Alesis Nanocompressor when recording into my Emu 1820 soundcard, can I still limit the final mix with, say, Waves' L1 Ultramaximizer without any problems?
I've recorded several songs in 24-bit/48kHz. When I went to burn the CD, I had to convert them to 16-bit/44.1kHz. So does it make a difference in the audio quality of the final CD tracks to record at the higher rates?
Real Traps' biggest bass trap offers heavy-duty low-frequency absorption for the serious home studio.
With some clever programming, an Italian software house have created a program that claims to add an audio input to Reason. We take a sneak peek, as well as bringing you essential Reason news and quick tips.