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Fender Princeton
Recording Guitar Amp
Is this the ultimate recording solution for fans of the classic Fender tube sound?
Published April 2008
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Guitar Technology
News & Tips
Re-amping is an old technique that allows the producer to keep his or her options open in regard to electric guitar or bass sounds until the last minute.
Published April 2008
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Secrets Of The Mix Engineers: Renaud Letang
Feist: '1234'
Aided by its memorable video and starring role in an iPod ad, Feist's '1234' has been a refreshingly different worldwide hit. Renaud Letang was behind the (vintage) desk during the recording and mixing sessions.
Published April 2008
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Mackie Control Pro
DAW Control System
Mackie have updated their popular control-surface system. We find out what's new.
Published April 2008
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Logic's Best-kept Secret: Hyper Editing
Logic Notes & Techniques
Logic's Hyper Editor is a powerful way of creating and manipulating MIDI data, but it's often overlooked. We give you the low-down in this advanced workshop, and suggest some ways of using the Hyper Editor in your music.
Published April 2008
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Euphonix MC Mix
DAW Control Surface
The new Artist series brings Euphonix's innovative EuCon technology to the project studio market. Does the MC Mix put existing fader controllers in the shade?
Published April 2008
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Mix Rescue: Jazz-Trio
Jesper Buhl
We help a home recordist on a budget to add that elusive polish to his jazz-trio recordings.
Published April 2008
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MOTU MachFive 2
Software Sampler
With software samplers playing such a crucial role in many modern styles of music production, competition amongst the major players is hotter than ever. Does MOTU's redesigned MachFive 2 have what it takes?
Published April 2008
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Happy Birthday Vista: How Was It For You?
PC Notes
Vista's now a year old — but is it loved or loathed by musicians?
Published April 2008
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Playback
Readers' Music Reviewed
More of your tracks get the aural objectivity test from the SOS crew. Sponsored by www.breed-media.co.uk
Published April 2008
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Phase Demystified
Understanding Phase Cancellation
Phase interactions are well known for their ability to destructively interfere with recorded signals, but an understanding of the process can turn it into one of the most powerful creative tools available to you.
Published April 2008
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Mix Rescue: Jazz-Trio | Audio Files
Hear For Yourself
Here are links to the audio files from APRIL 2008's MIX RESCUE article, for those readers who buy the magazine from the newsagent/bookstore and don't wish to type in all the long filenames.
Published April 2008
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Q: What's so good about a Lunchbox?
I'm seeing more and more new units for the API Lunchbox. Why is this, and what's so special about the format?
Published April 2008
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Templates & Real-time Backups
Digidesign (Avid) Pro Tools Tips & Techniques
The focus is on better project management in this month's Pro Tools workshop, as we explain the advantages of using template Sessions, and look at some tools that can help you avoid data loss.
Published April 2008
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Q: How do you connect a mixer to a PC?
Referring to your article in Q&A from SOS January 2007, regarding a basic home recording setup, can you connect the Yamaha MG102C, which you suggest, to a PC directly? If so, how?
Published April 2008
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Q: Is there a difference between native and platform-based plug-ins?
I've noticed a price disparity between the Native and Powercore plug-in offerings from Sonnox. Native versions (Audio Units in my case) are much cheaper than the Powercore versions, but do they differ in quality? If so, are these differences typical of the plug-in market at large?
Published April 2008
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Q: Should I mix on high-end headphones or low-end monitors?
I'm wondering whether I'd be better off with a pair of Sennheiser HD600 (or similar) headphones instead of some low-end monitors?
Published April 2008
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Q: How do you record a Leslie speaker?
The crack team of Paul White and Hugh Robjohns have travelled the world solving readers' problems. Here, they put aside the Hob Nobs and answer some of your recording queries.
Published April 2008
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The Story Of The BBC Radiophonic Workshop
Founded in 1958
50 years ago this month, the most celebrated electronic music studio in the world was established. We trace the history of the Radiophonic Workshop, talking to the composers and technical staff who helped to create its unique body of work.
Published April 2008