
Digital Performer: Using Mix Modes
Mix Modes can help you keep track of your mix revisions in Digital Performer.
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Mix Modes can help you keep track of your mix revisions in Digital Performer.
London‑based record producer, programmer and session musician Andy Wright chooses the drum sound from ‘Dirty Mind’, on Jeff Beck’s 2000 album You Had It Coming.
Want a hit that transcends genres? Hire a mix engineer who does the same — as Steve Lacy did with Neal Pogue.
Many years ago, a manufacturer who shall remain nameless sent us two iterations of their new product...
Logic has built‑in tools for drum sample replacement.
It’s obvious to anyone working in any aspect of pro audio that it’s still a very male‑dominated industry...
Learn to stop worrying and love your mixes with our 10‑point checklist!
The ultimate one‑man band, Brazilian artist Ricardo Bacelar uses layers of drums, percussion, guitars and keyboards to build up dense immersive mixes.
PMC’s new nearfields push the boundaries of what a compact, two‑way speaker can achieve.
Is a Beta 87A hotter than an SM58? I know there’s a difference in response curve, but how many dB hotter is it?
Will I lose signal quality using a poor quality ADAT cable?
Ugandan producer and performance artist Tayo Alemi, aka Authentically Plastic, creates experimental electronic music.
My first experience with distortion was with guitar pedals. There was something amazing about physically stomping on a device...
SOS met up with former Solid State Logic System and Support Team Leader Karen Down for a deep dive into the automation and recall technology that brought about a revolution in mixing.
Sound On Sound December 2022
Cubase Workshop: Stranger Things Synths With Retrologue 2
Audio Examples...
This year marks the 30th birthday of one of the world’s leading manufacturers of synths, samplers and hardware controllers. In this podcast, Novation Product Specialist Chris Calcutt looks back over three decades of innovation.
Robert Henke, electronic visual music artist, software developer and co-founder of Ableton discusses the artist/engineer overlap and how software needs to be accessible to encourage and not hinder the creative process.
Mark Mynett, sound engineer and senior lecturer at Huddersfield University, gives us an in-depth look at how to process and mix the various elements of a song recorded using live instruments.
Ableton’s first app puts a Live‑compatible ideas machine in the palm of your hand.
Much more than just a bigger MicroFreak, Arturia’s MiniFreak is a six‑voice polysynth with a character like nothing else.