
Heavyocity Damage
Big bangs, shattering impacts, unabated racket, sonic mayhem, deliberate destruction... Pass the earplugs, it’s Heavyocity’s new library!
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Big bangs, shattering impacts, unabated racket, sonic mayhem, deliberate destruction... Pass the earplugs, it’s Heavyocity’s new library!

Lana Del Rey has topped charts worldwide with her signature retro sound — and it all started with a demo that became a viral hit.

Jazz Colors features 20 jazz-flavoured construction kits comprising over 3GB of sample data, spread across some 1400 samples.

This new approach to guitar-amp simulation from the creator of the Access Virus synth promises to let you accurately capture the sound of all your favourite tube amps...

April is the time of year when we traditionally wind you up with fake stories, impossible products and non-existent bands. However, whenever we come up with an 'impossible' idea to use as a spoof, somebody usually goes out and builds it.

Marcus Ryle of Line 6 talks to SOS about a radical new approach to live sound.

Paul White checks out the Line 6 amp that was designed in collaboration with US amp designer Reinhold Bogner.

Setting up an old-fashioned step sequencer in Ableton Live is easy.

Simply saving your project in Logic doesn't mean it's safe from harm. To future-proof your masterpieces, get to know your backup options.

Can you hear the difference between an MP3 and a WAV file? We explain how lossy audio data compression works, and how to spot the tell-tale signs it leaves behind.

This month, our mix engineer develops a reader's track and shows that the difference between an average mix and a good one is less about the quality of the gear than about what you do with it!
Audio files to accompany the article.

When it comes to telling composers what to do, job titles are no barrier to meddling.

Internships are a long-established means of breaking into the recording industry — but where is the line between learning and being exploited?

Checking real-world latency just got easier, with a new tool from DAW Bench...


Big Fish Audio's Pop Rocks! (their exclamation mark, not mine) is the company's latest addition to their massive genre-based...

Can its new look and feel, 64-bit code base and killer feature-set help Magix's heavyweight DAW muscle its way to a bigger market share?

When recording a drum part, do I have to EQ it, or should it be left untreated?
Samuel Am, via email
SOS Reviews...

I have the usual selection of Stagg and anonymous mic stands, which are fine most of the time, but I now have some mics that...