SOUND ON SOUND
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This two‑channel tube preamp offers a range of useful features, and all for a very modest asking price. Is it too good to be true?
Achieving a smooth, even bass part in a mix can require hours of tedious automation — unless, that is, you cheat!
Behringer’s take on the classic Auratones won’t break the bank — but will they help you make those crucial mix-balancing decisions?
Rock drum collections are plentiful, but as soon as something slightly out of the ordinary is required, such as a comprehensive selection of brush samples, the options die off rapidly.
This quirky instrument's versatility is making it popular — but how do you best record it?
Recording Sinéad O’Connor’s breakthrough hit was easy in some ways, but difficult in others — for example, all compression was forbidden...
Cubase’s new comping facilities allow you to assemble the perfect multitrack recording from several takes.
The latest headset mic from DPA is designed to offer crystal-clear vocals and a rock-solid, discreet fitting.
The fruit of the union between synth and drum machine legends Dave Smith and Roger Linn ought to be something very special indeed. Is the Tempest set to take the world by storm?
Can the iPad really be a serious recording tool? When you add a state-of-the-art audio interface from RME, quite possibly...
In the new Scarlett range, Focusrite have teamed their Saffire technology with USB interfacing.
Not content with the 'ooh missus!' title, Big Fish have based this new construction-kit library around the playing of a guitarist called Thomas Organ (thankfully, 'Tommy O' to his mates.)
No doubt inspired in part by the wealth of real-world imperfections captured for his historic Novachord library, Hollow Sun's Steve Howell has once again donned his boffin's garb for this ongoing Music Laboratory Machines series.
IK Multimedia are the latest plug-in manufacturers to bring us their take on two iconic compressors.
Tony Bennett’s continuing success showcases the value of old-school recording techniques — and the talents of his engineer son Dae.
If you want to connect your USB keyboard to your MIDI gear without a computer, this little box might fit the bill...
Korg’s analogue tribe has two new members, both with little more than pocket‑money prices. Resistance may be futile...
We've been running a small amount of live sound gear coverage in the mag for a few months now. On the whole, it has been very well received...
What would happen if you upgraded every component in an 1176 compressor and added all the functions you wanted? One man set out to answer that question...
Live’s outwardly simple Auto Filter has a lot more to it than you might think...