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For those who want to put a human performance at the centre of their sequenced masterpieces, Circular Logic have developed software that can understand and follow tempo changes in real time.
Espousing the simple, easy-to-use, Apple-type philosophy seen in tools like GarageBand, Glaresoft's virtual drum machine has you piecing together beats in minutes. And it costs just £39! We check it out...
More thoughts on the state of the record industry and landing a job in a studio...
After months of speculation Apple have finally announced the release of the first major Logic 7 upgrade, but what can users expect from version 7.1?
The Kaoss Pad Entrancer builds on the success of the Kaoss Pad 2, offering the same versatile X-Y pad-driven audio processing capabilities, but adding video processing to give you real-time control over both sound and vision.
We explain how you can mock up a live acoustic guitar sound from a DI'd recording, using Logic's built-in plug-ins.
With two market-leading Firewire audio interfaces already part of the MOTU stable, where does the new mobile recording-oriented Traveler find its natural home?
Will Mowat made his name first as a sequencer expert and then as a writer with Soul II Soul. As a world music producer, his recent projects provide inspirational examples of how to combine performance with programming and overcome the limitations of a bare-bones budget.
This cheery new unit brings clean eight-channel mixing to the cash-strapped home studio.
The magic number of 64 is gradually working its way into all aspects of our PC experience: processors from both AMD and Intel, the Windows XP OS, hardware drivers, and — coming soon — 64-bit music apps. But what should we be aware of as we consider the transition from 32-bit?
Does defragmenting your hard drives, including the ones you use for recording audio, really result in better PC performance? Opinion is divided, so we take a considered look at the subject, as well as testing some of the most suitable 'defragger' utilities.
Now that the excitement surrounding the launch of DP 4.5 has subsided somewhat, developments by MOTU-friendly companies get this month's column under way.
If you are a user of MOTU's Digital Performer sequencing software, you have access to an extensive and full-featured automated mixing environment. Here's how to use it...
This month sees a high-quality, free EQ plug-in gracing the Digirack suite, some intriguing options for collaboration via the Internet, and a host of updates.
For the first time ever, Digidesign's Pro Tools recording software is available as a stand-alone product, which can be used in conjunction with any of five audio interfaces from M-Audio.
Pyramix might be the new kid on the block as far as audio recording and editing are concerned, but that hasn't stopped it quickly proving itself a very serious rival to Pro Tools and other established DAWs.
Back in 1986-7, there was an ad for an amazing and inexpensive technique which, it claimed, added many more audio tracks to your eight-track reel-to-reel tape machine. How did it work?
I previously owned a DPS12 and that was fairly simple, but the DPS24 manual talks about using 'groups' to route inputs to tracks. What is a group and how are they used?
I've been coming home from gigs recently with my ears ringing and I'm worried about damaging my hearing. What kind of (preferably unobtrusive) ear protection should I be looking at?