SOUND ON SOUND
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Summing might not sound very rock & roll, but Thermionic Culture have added a little attitude of their own to this impressive and unique design.
Many musicians now have digital audio in their studios, so Midiman have decided to help them interface cleanly to the outside world, with the bizarrely named Flying Cow. Martin Walker thinks it cud be a winner...
This new USB-equipped mixer has a control surface and a separate I/O unit, but are two boxes better than one?
We take another look at the impressive Portico range, focusing on a compressor-limiter and a unique tape-emulation processor.
SE aim to deliver a complete vocal recording package for the project studio on a budget — do they deliver?
KRK's new monitors use glass-fibre cone technology to offer a big sound for those on a budget.
Last year Mackie impressed us with their HR Mk2 series of studio monitors, but they've now introduced new models at roughly half the price. Surely this means there are compromises?
The HR-series monitors have been hugely popular, but Mackie have still managed to find room for improvement.
Peluso set out to replicate the classic performance and style of Neumann's legendary U47. Could the result be even better than the real thing?
Can you really achieve 24-carat Neve-style compression on a shoestring, or is this a case of fool's gold?
Hugh Robjohns twsts Millennia's flagship STT1 recording channel which offers elements of their entire product line all in one ultra-flexible box.
Mackie's VLZ Pro mixers gained a reputation for punching above their weight. Could this next generation do even better?
With a band citing a particularly broad range of influences, our engineer came up with a plan for capturing a bit of them all. Find out how he fared...
This new Ivory-series preamp and compressor combines the ease of presets with the flexibility of manual operation.
Hugh Robjohns tests this fully-featured, dual path channel strip, with circuitry designed by the legendary Mr Rupert Neve.
At nearly twice the price of a Neumann U87, you've every right to expect this to be a very, very nice microphone...
Two channels good, four channels better — but 4-channel preamps are thin on the ground. Hugh Robjohns has succeeded in sniffing one out.
Building in China, then disassembling in the US and replacing parts seems a long-winded way to go about building a mic... but there might just be some sense in the approach.
The crack team of Paul White and Hugh Robjohns have travelled the world solving readers' problems. Here, they down the Hob...