SOUND ON SOUND
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The new CDR770 from Marantz is one of the cheapest CD recorders on the UK market, and features a new writing technology known...
SPL's Crimson combines a high‑quality interface and monitor controller into one conveniently sized box.
ST Audio's recording interface provides multi-channel, multi-client audio I/O, as well as MIDI In and Out and full 24-bit/96kHz capability, for a highly affordable £230.
Kemper finally have a floorboard version of their groundbreaking Profiling Amplifier. Has it been worth the wait?
Technology has moved on in the 10 years since the original D Box was released — but the concept seems stronger than ever.
Many musicians with computer-based studios don't need lots of inputs and outputs, but that doesn't mean they're happy to put up with poor audio quality and design compromises of consumer soundcards. However a new type of affordable, high-quality soundcard is now emerging to meet this need. Martin Walker puts two or the leading candidates to the test.
A cut-down Saffire without compromise on quality or features? Read on...
We take Antelope’s latest mastering–grade converter and monitor controller for a spin.
Most studios include a number of digital devices, but in order to get them to converse in the digital domain, they have to run...
The Apollo Twin is a two-in, six-out desktop recording interface for Mac computers with Thunderbolt connectivity, that combines the same 24-bit, 192kHz audio conversion of its predecessors with UAD Solo or Duo processing. It allows a plethora of high-quality UAD plug-ins to be run in recording and monitoring paths at low latencies (in the region of 2ms).
Prism Sound's latest interface looks set to dwarf even their legendary Orpheus...
Drawmer's affordable new combination of master clock and sample rate converters provides an ingenious solution for high-quality digital interfacing in the home studio.
Steinberg have made interfaces before — but none so ambitious as the AXR4. Can it hold its own against the competition?
ST Audio's DSP3000 system offers an impressive feature set for its price, boasting eight-channel 24-bit/96kHz analogue I/O with mic preamps on every channel, plus digital I/O in S/PDIF and AES-EBU formats, MIDI I/O, and the ability to function as a stand-alone analogue/ADAT digital converter.
When it comes to D-A conversion, this company is called Benchmark for a reason. How have they raised the standard this time?
The new audio interface from Focusrite offers an awful lot, for an awful lot less than you'd think. Let's find out what it can do...
Many musicians now have digital audio in their studios, so Midiman have decided to help them interface cleanly to the outside world, with the bizarrely named Flying Cow. Martin Walker thinks it cud be a winner...
Midiman are a company devoted to producing cost-effective problem solvers, and with the Digipatch they're aiming to solve the problem of affordable digital patching. Paul White finds out how well they've succeeded.
Cut-price Firestudio action for those users on tight budgets!
M-Audio's new interface is equipped with eight mic preamps, eight analogue outputs and an impressive range of digital I/O — all of which has been crammed into a 1U rack and given a very attractive price-tag.