
ST Audio DSP24 Media 7.1
ST Audio's recording interface provides multi-channel, multi-client audio I/O, as well as MIDI In and Out and full 24-bit/96kHz capability, for a highly affordable £230.
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ST Audio's recording interface provides multi-channel, multi-client audio I/O, as well as MIDI In and Out and full 24-bit/96kHz capability, for a highly affordable £230.

Alva’s debut audio interface combines versatile single-control operation with impressive sound quality.

Though aimed squarely at the serious hi-fi market, this class-leading converter has plenty to offer in the studio.

Many musicians with computer-based studios don't need lots of inputs and outputs, but that doesn't mean they're happy to put up with poor audio quality and design compromises of consumer soundcards. However a new type of affordable, high-quality soundcard is now emerging to meet this need. Martin Walker puts two or the leading candidates to the test.

I’m hoping you can help me use my hardware with my computer! I’ve acquired a few instruments (synths, drum...

Most studios include a number of digital devices, but in order to get them to converse in the digital domain, they have to run...

Drawmer's affordable new combination of master clock and sample rate converters provides an ingenious solution for high-quality digital interfacing in the home studio.

Antelope Audio's latest Thunderbolt interface offers a considerable amount of bang for a very reasonable amount of buck.

Few monitors have impressed us as much as Kii's cardioid-radiating Three speakers. With the launch of their matching bass extension unit, have Kii made the best even better?

Many musicians now have digital audio in their studios, so Midiman have decided to help them interface cleanly to the outside world, with the bizarrely named Flying Cow. Martin Walker thinks it cud be a winner...

ST Audio's DSP3000 system offers an impressive feature set for its price, boasting eight-channel 24-bit/96kHz analogue I/O with mic preamps on every channel, plus digital I/O in S/PDIF and AES-EBU formats, MIDI I/O, and the ability to function as a stand-alone analogue/ADAT digital converter.

Midiman are a company devoted to producing cost-effective problem solvers, and with the Digipatch they're aiming to solve the problem of affordable digital patching. Paul White finds out how well they've succeeded.

A cut-down Saffire without compromise on quality or features? Read on...

The Ensemble Thunderbolt isn’t just an update — Apogee have completely redesigned it, and the results are impressive.

This most hybrid of devices does far more than just put A‑D/D‑A conversion into a 500-series chassis. In fact, it could even make you reconsider how you use your studio...

SPL's Crimson combines a high‑quality interface and monitor controller into one conveniently sized box.

UA's new desktop interfaces give their rackmount siblings a run for their money.

The new audio interface from Focusrite offers an awful lot, for an awful lot less than you'd think. Let's find out what it can do...

Cut-price Firestudio action for those users on tight budgets!

M-Audio's new interface is equipped with eight mic preamps, eight analogue outputs and an impressive range of digital I/O — all of which has been crammed into a 1U rack and given a very attractive price-tag.