SOUND ON SOUND
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Cre8audio’s NiftyKEYZ case might just change your whole approach to modular.
Like all love affairs, love of vintage gear isn’t entirely rational. Old equipment is often unreliable, noisy and limited. But...
New synth‑makers PWM met the Devil at a crossroads at midnight. This is the result.
The keyboard version of the desktop version of the Quantum, is the Iridium Keyboard even better than the original synth?
Central Cee has taken drill music to the top of the UK album charts, thanks to some very fast work from mix engineer Sean Donoghue.
Film composer, theatre composer, TV composer, ballet composer... Why be one when you can be them all?
Newcastle‑based singer and producer Beth Jeans Houghton, aka Du Blonde, enters the quick-fire questions round...
Oberheim are back, and doing what they do best — making massive polysynths with a massive sound.
PreSonus’ DAW software continues to grow and improve as it reaches version 6.
The result of an extraordinary collaboration between Arthur Baker and London band Freeez, ‘IOU’ was a pioneering hit of the electro genre.
Having crafted some of the biggest hits in pop, Adam King Feeney, aka Frank Dukes, built an ambitious sample library to help others do the same.
Can a legendary engineer create immersive audio mixes without giving up his beloved SSL console? Of course he can!
Focusrite’s Vocaster Two puts everything you need to podcast in one very well designed box.
The right compressor settings give you endless power to shape the sound and groove of a multi‑miked drum recording.
Every serious studio can make use of a high‑quality pedalboard, but putting one together that’s truly versatile requires a plan...
When and why might you want to reach for more than one compressor to process the same signal?
How does Roland’s Boutique version of their classic JD‑800 synth compare to the original?
Meet Mavis, Moog’s affordable semi‑modular with more than a few tricks up its sleeve.
In a world where makers of digital amp simulators take pride in offering a huge variety of models, Universal Audio have adopted a ‘less is more’ approach.
We explore some workarounds for getting Studio One to talk General MIDI.