SOUND ON SOUND
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On testing a vintage Telefunken preamp, Sonic Farm were so impressed they decided to recreate it — adding their own twist along the way...
Blink 182’s chart-topping California brought Zakk Cervini his first mix credit on a hit album — but he had to work hard to get it.
Can the Cab Clone offer something new, or is it just another ‘me-too’ cabinet simulator?
The Ensemble Thunderbolt isn’t just an update — Apogee have completely redesigned it, and the results are impressive.
Ribbon tweeters are usually associated with studio monitoring, but Peavey’s classy new speaker proves they have a place in PA too.
This fascinating and commendably detailed book by Howard Massey provides a wonderful overview of the significant recording studios in London in the ’60s and ’70s, as well as a few noteworthy facilities elsewhere in the UK.
We cast our eyes and ears over Mr Neve’s elegant contributions to the 500-series format.
I'm writing this just two days after mixing Malvern's West Fest outdoor festival on what must have been one of the hottest...
If you've ever read a hi‑fi magazine, you'll have seen advertisements for cables that cost more than the gear they are...
The success of Deftones’ Gore album is reward for the band’s restless experimentation — and for the work of engineer, producer and mixer Matt Hyde.
Recording an acoustic guitar duo in two separate rooms means great separation, but a lot of work to make the different spaces sound alike!
This is a hybrid product in more ways than one — not least because it can be controlled via a dedicated DAW plug‑in.
The goal of turning musical omelettes back into eggs gets ever closer, thanks to some unlikely cloud-based DSP wizardry!
Credits can be a vital resource to the media composer, but they can also be a ball and chain.
Pro quality at an affordable price? Hugh Robjohns inspects a preamp with a prestigious name.
The songs of ABBA are reaching new generations of fans, thanks to a second hit musical movie. Bernard Löhr was the engineer who recaptured them!
I'm a Propellerhead Reason user and I plan to Rewire the software to Steinberg's Cubase DAW. My plan leads me to ask two questions about using MIDI keyboard controllers and control surfaces.
This month’s band, the Broken Heartbreakers, threw down the gauntlet for our engineer — could he improve what was already a decent mix?
If you’ve found integrating multi-effects units into your existing amp and pedalboard setup problematic, this unit could make life easier...