SOUND ON SOUND
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Bucket‑brigade delay pedals are making something of a comeback, and it’s almost certainly due to the unique way in which their delays degrade as they repeat...
Based in The Hague, Netherlands, Jan Willem Hagenbeek is best known in the modular world as Ginkosynthese...
If you need more low end from your monitors, adding a sub can be very tempting — but is it the right option for you?
Logic offers a number of ways to repeat your notes and phrases.
Reason 12.5 introduces full support for and integration with VST3 plug‑ins.
Lake People's latest headphone amplifier is aimed at professional mixing and mastering engineers who wish to use balanced headphones.
Tai Chi is an algorithmic reverb plug‑in with some very handy features that allow it to cover more ground than most...
Expressive E’s Osmose is a synthesizer like no other.
Launched in 1994, the original Klon Centaur Professional Overdrive pedal was surely the product that paved the way for today’s vibrant ‘boutique’ guitar‑pedal market.
Vintage Vibe’s Rhodes recreation just keeps getting better.
This classy analogue device boasts some impressive specs and has applications that extend way beyond summing.
Has Rode’s new USB‑capable NT1 made clipping a thing of the past?
The idea of digitally controlled VCAs is far from new — but this implementation feels like the future!
This classy valve mic proves its worth on a range of sources.
Bastl’s Softpop SP2 reins in the chaos but is still a far from conventional synth.
With its astonishing array of new and cherished effects, Eventide’s ‘everything pedal’ should appeal to guitarists, synth heads and mix engineers alike.
Anyone fancy a versatile controller keyboard with the tip of the Arturia software iceberg included free?
Strokes brings unconventional Eurorack‑style sequencing to your DAW.
We’re often advised to check mixes on a car stereo. But how useful is the fabled ‘car test’ in reality?