SOUND ON SOUND
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We show you how to configure your inputs, outputs and audio routing in PreSonus' flexible DAW.
For Jason ‘Cheese’ Goldberg, working with YoungBoy means working anywhere and working fast — without compromising quality.
It was just another session for producer Peter Nappi, but Gayle’s ‘ABCDEFU’ would become one of the most listened‑to tracks of 2022.
We’re used to playing and sequencing synth parts in our productions, but why not sing them as well?
This classy EQ marries vintage tone with the convenience of software control.
Pedal legends Boss have now built their clever synth engine into a regular guitar — no hex pickups required!
Logic Pro X contains everything you need to add high‑quality audio to your videos. Let's find out how...
We explore some handy tools for making the most of macros.
Is the most affordable version of Avid’s DAW still a serious music production tool?
Apogee introduce their own take on the DSP‑powered audio interface.
The new MADIface Pro retains the beautifully designed housing and integrated XLR I/O of the Babyface Pro...
Apple recently announced a transition in the Mac’s hardware architecture that promises to be the most significant in the product’s history. But how will this affect musicians and audio engineers?
It may be super-compact, but the MX5 punches well above its price tag. What’s not to like?
DP's ProVerb offers an easy way to experiment with guitar amp impulse responses.
This BS.1770‑compliant loudness meter offers some interesting and original features.
...and announce a new time-limited software bundle to be included with Clarett USB interfaces.
With its innovative modular approach to sound engines, this powerful stage keyboard should suit the needs of most performers!
The new 5.4 update includes intelligent chord detection, plug-in nap, M1 compatibility and much more.
Groovesetter’s developers claim that it offers low‑latency, multitrack collaboration between multiple people in different locations. Does it live up to its promise?