SOUND ON SOUND
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Pro7ect 2017: producer Ian Wallman describes a unique collaborative project in an unusual space!
The success of Kesha’s ‘Praying’ justified the lengths that Jon Castelli went to to get the perfect mix — eventually!
This month: Grace • Lewisham & Greenwich NHS Trust Choir • Jamie Lawson • Elvis Presley & The Royal Philharmonic Orchestra • Classic Mix: The Prodigy ‘Breathe’ (1997)
How can you build something from nothing when no one tells you anything?
Successful library music writers are efficient, productive and reliable as well as musical — all skills you can develop too.
A glorious suite of extras bolsters the core orchestral sound.
Tracks from Justin Bieber, The Weeknd, Sam Smith, Dr. Dre and our Classic Mix, Lionel Richie 'Hello'
Greg Price has spent nearly 20 years at front of house for some of the biggest names in rock, and now his company believe they’ve perfected the art of live recordings.
DJ Shadow’s Endtroducing wasn’t just a staggering technical achievement. It also reimagined a whole musical genre.
Is mixing on a large analogue desk still worth the trouble? For George Seara and Shawn Mendes, it seems to be working out quite well...
When cult funk band Cymande returned to the studio, they insisted on hiring the same production team — 41 years after their previous album...
The Theremini’s pitch-quantisation and price tag make it the most accessible Theremin instrument yet.
Despite the iMac moniker, the iMac Pro is a very impressive machine. Is it the computer that Mac-based musicians and audio engineers have been waiting for?
Our engineer works the mix to get a pop-funk track competing sonically with the likes of Jamiroquai.
A reader’s home-studio monitoring suffers from a lack of low end and poor stereo imaging. Can the Studio SOS team track down the cause?
The challenge of creating a glass-themed sound world for her third album led Agnes Obel to explore some little-used instruments and techniques.
In a market that seems, er, saturated with dedicated distortion processors, what sets Overstayer’s latest device apart from the rest?
So feature-laden is QSC’s newest TouchMix digital mixer that the question is no longer “Who would want one?” but “Who wouldn’t?”
The making of Barbra Streisand’s latest hit album, Encore, offers a window into the unique philosophy of hit-making producer and engineer David Reitzas.
Why do we need a ‘68 model of this classic amp when Fender already have a ‘65 in the range?