SOUND ON SOUND
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Live 11’s new Take Lanes make creating a composite from alternative takes (comping) much easier for both MIDI and audio tracks.
Rating: ***** 5/5 Stars. These cinematic libraries focus on bowed guitar and bowed piano textures.
Rating: **** 4/5 Stars. Slow offers a selection of mainly gentle sounds that would slot well into ambient or New Age compositions...
Vince Gilligan and Peter Gould’s unique vision of Albuquerque required a unique approach to the score...
German microphone legends unveil their first-ever electret capsule.
Working on tape with the Red Hot Chili Peppers forced Ryan Hewitt to revisit old‑school mixing skills — and find ways to adapt modern techniques to the analogue domain.
Elbow reacted against lockdown and their own tried and tested methods by hiring Brighton’s Theatre Royal as an improvised studio space.
Steinberg have announced the immediate availability of major new updates to its Dorico family of music notation and composition software.
Composers Michelle Birsky and Kevin Henthorn speak to us from their studio space in Los Angeles...
Lunacy Audio take a different approach to in‑the‑box sound design.
Piano virtual instrument specialists, Synthogy, have announced the immediate availability of their fifth Ivory II...
Rating: **** 4/5 Stars. What Toontrack are presenting us with here is more a collection of atmospheric sound-design patches than a virtual Bösendorfer.
Heavyocity take a creative wrecking ball to the orchestra.
Pads are the glue that holds entire genres of music together. We look at how you can improve yours.
A streamlined version of Modal’s Cobalt8, is the Cobalt5S even better than its sibling?
Theremins have been part of Moog’s story since day one, and their latest is the culmination of all that experience.
We put the desert island questions to this Tel Aviv-based dynamic, hip‑hop‑infused pop duo.
Cubase gains new features and dispenses with the dongle.