SOUND ON SOUND
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HEDD’s third headphone release loses the AMT driver in favour of a conventional moving coil, but the company’s trademark high‑tech approach is still very much evident.
Inspired by Studer’s classic 169 console, this handmade EQ is just as suited to mixing work as it is to tracking and mastering.
Asked to nominate a favourite sound from his vast back catalogue, Jeff zeroes in on the drum recording for Shania Twain’s 1997 hit ‘Man! I Feel Like A Woman’.
If there was a monitoring system that was reliable, affordable and sounded the same everywhere, would you use it for mixing? Well, there is — and you probably already own it.
Headphone correction gets physical with IK’s neat desktop DAC.
Can a MIDI interface really make a difference? Innerclock Systems think so.
Songwriter, producer and musician Carter Lang has built a stellar career on collaboration and a love of obscure hardware.
Lauten’s latest makes crafting the perfect bass drum sound a breeze.
Whilst VR isn’t teleporting us to our own personal Abbey Road, it is becoming more relevant in a production context.
With Flashback Capture, you need never lose a magical take again!
The Aum Guitar Prana Pedal is outwardly identical in connections and features to the pedal that came with the company’s original Vibraslide.
Boss’ latest attempts to rise to the challenge of polyphonic pitch-shifting are the compact XS‑1 and the larger, more controllable, XS‑100.
Neural DSP’s latest guitar‑rig modelling plug‑in range caters for the modern metal and rock community.
This virtual modular environment can accept patches ported over from the free VCV Rack, and can create virtual patches internally.
Sequencing in Eurorack has always felt like a bit of a problem. How does the Tobinski Sequencer's approach weigh up?
Exay One have entered the Eurorack fray with a remarkable‑looking scanner and panner.
At last, the channel compressor of Neve’s flagship 88R console is available in 500‑series form!
Master Faders offer much more than just level control!
Everything going to the Mackie over USB (on channels 3+4) is coming back on the computer input channels 1+2, whether it’s the metronome or playback of other tracks. Can you help?
I’ve been using Reaper on Windows for years, but I need a new computer and I’m thinking of getting a Mac. Will Reaper on Mac be able to open my files, or do I need to tweak anything?