SOUND ON SOUND
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We explore a couple of ways to add analogue warmth with the Reason Mixer.
In a new three‑part series, DJ, producer and remixer Dave Clarke meets key figures from half a century of electronic music.
Yamaha’s new DTX6 range is a force to be reckoned with.
Ever wondered what a ‘four‑quadrant analogue multiplier compressor’ might sound like? Neither had we — but it turns out to be something a bit special!
In DP 10.1, MOTU significantly expanded Bounce‑to‑Disk with the addition of real‑time, multi‑output, and track‑by‑track bouncing.
The biggest investment most studios make is in bricks and mortar... and plasterboard... and Rockwool. But is there another way?
The free and open-source Jamulus app lets you play along with other musicians over the Internet in real time. We guide you through it.
Classic equipment doesn’t have to be old and unreliable. Many famous studio microphones are still current products...
Sample Logic have teamed up with Red Room Audio to deliver a highly animated orchestral instrument.
These audio examples accompany the review of Black Lion Audio’s Bluey FET compressor in SOS June 2020
Orchestral Tools beef up their Berlin orchestra with a full‑size symphonic string instrument.
My home studio is plagued by dust! It seems to get everywhere. Is there a 'right' way to clean this stuff?
We show you how to use Reason as a plug-in within Ableton Live.
Mayer’s all‑analogue tape emulation is joined in the 500 series by a mic preamp and limiter.
SOS writers pick their favourite plug-ins and tell us what makes them special.
Audio files to accompany the article.
Your chance to win JZ Microphones premium Black Hole large‑diaphragm mics, worth £1769$2300.
Mackie's first ever studio microphone proves to be an affordable all-rounder.
Continua is a three-oscillator, twin-filter analogue-style synthesizer plug‑in for Mac, Windows and iOS, and there's even an experimental Linux build too.
We delve deep into The Echo, Reason’s versatile delay effect.