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Softube’s Modular, a software representation of the Eurorack modular synth system, is perhaps the easiest...
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Softube’s Modular, a software representation of the Eurorack modular synth system, is perhaps the easiest...
Nectar 3 from iZotope promises to provide pretty much all you need for processing and mixing vocals so...
To mark its 50th anniversary, two bands have taken to the stage to pay homage to Wendy Carlos’s classic crossover album Switched-On Bach.
Bechstein have exhaustively sampled one of their own instruments to bring us this lavishly produced virtual piano.
The DC‑2W is based on the same principles as the original flagship Roland SDD‑320 Dimension D processor, and it can emulate both the discontinued DC‑2 pedal and the SDD‑320.
Could Boss’s latest do-it-all modelling processor form the heart of your live or recording rig?
This neat box of tricks offers a wide range of vocal effects, as well as the ability to track the pitch of a guitar or MIDI input.
A new suite of plug-ins aims to take the compositional donkey work out of pop and EDM songwriting.
If you’re not blessed with flawless piano keyboard skills, don’t worry, Cubase can help.
The brief for supplying a sound system for a youth piano concert was to make the rig look and sound as transparent as possible...
Gothic Instruments have assembled their Dronar modules into a one-stop-shop for soundscape creation.
HK’s latest compact line array combines ease of setup with power, portability and clarity.
Kludge Audio’s new transformer‑ and inductor‑based modules could be just what’s needed to inject a bit of vintage vibe.
Equipped with audio recording and playback plus a four-channel mixer, the KR‑55 Pro is more than just a rhythm machine.
Can you honestly say that you use all — or even most — of the features that appear in your DAW’s drop-down menus?
In a world where almost everyone is mixing ‘in the box’, Mark Ralph and Clean Bandit have gone the other way.
We delve into Live’s sophisticated new audio delay effect, Echo.
The Lemon Twigs not only draw their musical inspiration from classic power-pop; they’ve also learned to record using authentic ’70s gear and techniques.
Lunastone use cascaded gain stages rather than clipping diodes to achieve their amp-like distortion. And Smooth Drive 1 claims to deliver vintage tones that are just on the edge of break-up, rather than full-on distortion.
Guitar pedals range from the very basic ‘turn a knob’ variety to those with deep MIDI implementations and layers of hidden parameters. Lunastone’s Three Stage Rocket [MIDI Version] overdrive aims to strike a balance between those extremes...