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Fancy a set of electronic drums that lets you create your own kits? Swedish company 2Box's debut offering could be just the thing...

Adam Powell now directs videos for some of the UK's top talent — but it all started when he made a skate video with a borrowed VHS camera.

Acoustic Energy look to strengthen their foothold in the studio monitoring market with this impressive nearfield system.

2010 was a big year for Apple — so what treats are in store for 2011?

'Do you have the time to listen to me whine?' asked Green Day in the opening lines of their song 'Basket Case'. For 16 million people, the answer was apparently 'yes'...

Have you ever wondered how best to use the different automation modes in Cubase? Then read on...

Don't save your sends and returns just for global effects — DP's aux track system has other tricks up its sleeve...


Whether it's getting rid of the audio you don't want or improving the audio you do want, skilled editing can be the key to making your multitrack project sound polished.

Paul White checks out a solution to those studios limited on space (and finances) in need of a good set of monitors.

Taylor Swift has become country music's biggest mainstream star, thanks in part to a stellar production team. Producer Nathan Chapman and mixer Justin Niebank lift the lid on Swift's latest hit album, Speak Now.

Neil Young has made his share of experimental albums, but his latest might be the most extreme, thanks to Daniel Lanois' revolutionary approach to live dub mixing.

Paul White welcomes the development of tape emulation plug-ins.

Line 6 were amongst the first to create realistic-sounding modelled guitar amps and effects. Does their latest offering keep them at the front of the pack?

It's thermal underwear time as we look at the vagaries of track freezing in Live.