SOUND ON SOUND
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Signed to Harvest, Janus made one album — and hated the way it sounded. Four decades later, they finally got the chance to mix it properly...
How does this rugged, Latvian-made DI box compare with the established competition?
The Vienna Symphonic team go forward into the past.
We make a rare visit to a world-class recording studio, as one of The Church’s engineers takes us through a recent session.
Plucked from the Dreadbox collection of modules, Omikron is a 22hp dual VCO, while the Lamda is a 20hp multi-mode filter.
Just as music and technology have been converging, so have studios and the tech industry.
Is the bigger brother of the Allen & Heath Qu-16 just what you're after in a digital mixing console? We got a quick run-down on the new live sound desk at the Winter NAMM show.
Cubase has all the tools required to add a human feel to your programmed acoustic drum parts.
Stereo sound is a surprisingly subtle and complex business, and it's rare that the typical DAW 'utility' plug‑ins will deal...
These days, many top studios cater to a major-label clientele, and offer a rather streamlined approach. Happily, there is...
You'd be surprised at the things you can do without opening a menu in Pro Tools. And if there's no shortcut for the command you need, why not create your own?
We explore the additive synthesis capabilities of Alchemy in Logic Pro X.
Soon, for the first time in 35 years, you will be a able to walk into a shop and buy a brand-new Minimoog. But will it be as good as the original? Find out in our exclusive review.
Cakewalk’s programmers seem to be constantly pedalling the upgrade cycle! We find out what’s new and exciting in the latest Sonar X2...
With property prices going up and up, finding studio space is becoming trickier than ever.
Audio files to accompany the article.
DP still has its full share of virtual guitar amps and pedals, reverb and chorus plug-ins — but version 8 also introduced some quality problem-solvers.
It's live, Jim — but not as we know it. We look at how the rise of affordable, portable gear has enabled a new approach to music-video making.
Paul White discovers a sensibly priced CD recorder capable of handling any type of recording sessions without throwing a tantrum.