SOUND ON SOUND
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The new MIDI Note Actions introduced in Studio One 4.5 offer intriguing creative possibilities.
Studio One's Chord track is much more than just an auto-arrangement device.
We explore real-world uses for Studio One's tempo-tweaking tools.
Impact XT isn't only a drum sampler: used with loops, it makes a powerful live performance tool.
The PreSonus Atom offers hands-on control and tight integration with their Studio One DAW.
The new pattern editor in Studio One 4 isn't just for drums!
With Pipeline XT, integrating outboard gear in Studio One is almost as easy as loading a plug-in.
At a glance the AS Generator looks like a conventional step sequencer, but there's much more to it than that...
Can a single DAW really perform well on laptop, tablet and mobile phone?
With the fundamentals covered in previous versions, Studio One 4 branches out to explore new creative possibilities.
The Faderport 8 offers tight Studio One integration at a very attractive price.
Propellerhead’s latest Reason update adds features you never knew you wanted — but which you might find indispensible.
Cakewalk’s Rapture soft synth has been completely reworked and re-imagined: introducing Rapture Pro.
Microsoft’s latest OS offers potential benefits for musicians and recording engineers — but is now the right time to move to Windows 10?
A major update to PreSonus’s cross–platform DAW sees Studio One take some popular feature concepts to new levels.
Cakewalk are the first major DAW developer to move to a monthly payment model. And Sonar ‘membership’ provides plenty of goodies.
What Windows music software works well with multi-touch screens, and what feels a bit out of touch? Find out in our in-depth guide.
In theory, 64-bit operating systems allow us to use as much RAM as our software demands. So should we all be using them?
Swedish hard rock band Ghost have topped charts worldwide — with an album that was mixed twice!
The latest two volumes of Oli Freke’s popular Synthesizer Evolution book series shift their focus to the 21st century.