Synthesizers

In the biscuit barrel of modular, ACRONYM is a chocolate Hobnob dunked into a chilli mochaccino.

Arushi Jain has toured the world over as Modular Princess, with a critically acclaimed brand of electronic composition infused with the influence of Hindustani classical music.

Roland’s SH‑101‑inspired S‑1 is a great‑sounding synth with surprising depth.

UJAM’s Usynth range is about getting good results quickly, and GLAM is no exception.

ZAPS is designed for fast, percussive sounds that spit, splat, zip and zap, although it won’t shy away from the odd melody either.

Having joined the team at Moog Music back in 2015, product strategist Max Ravitz was a key player in the development of the widely lauded Moog Mother‑32.

Alan R Pearlman founded Tonus in 1969, a company that would soon become ARP Instruments, and began producing synthesizers such as the legendary ARP 2500, 2600 and Odyssey.

'Listening To The Music The Machines Make' - Inventing Electronic Pop 1978-1983, sets out to examine the multitude of influences that led to the synthpop revolution that spanned a five year period.

The Trinity is a three‑voice drum module with four separate synthesis algorithms to generate its sounds.

Newcomers GS Music are kicking things off in style with an ambitious polysynth.

Think you know what analogue synthesis sounds like? Pittsburgh’s Taiga might change that...

Sound Particles have placed 3D audio at the heart of their new soft synth.

Baby Audio’s first soft synth is inspired by the baby of the Yamaha CS range, the small but immediate CS‑01.