Synthesizers

The Evolver began as a mono desktop unit, then became polyphonic, and now there's a polyphonic keyboard version. It's almost as if Dave Smith's latest synth is steadily evolving back into his earlier Prophet 5... We check it out.

I am trying to re-create the sound of old string synths like the ARP Solina or Elka Rhapsody on my Novation K-Station but I...

We test another group of hot plug-ins: Universal Audio Dimension D • Ugo Rez, Texture, String Theory & Motion • TC Electronic VSS3 Stereo Source Reverb.

I keep reading about different types of synthesis like 'wavetable', 'S&S' and 'vector' but I don't know what they are...

We conclude our look at synth pioneer Don Buchla's extraordinary new 200e modular synth.

Creamware's Minimax is certainly not the first digital emulation of a Minimoog to be released — nor even Creamware's first. But it bucks the recent trend for software recreations of vintage synths — by being hardware. Can it replace the real deal?

Sound designer Rob Papen may be best known to you as the man behind amazing sounds for the Access Virus or Alesis Andromeda. Now he's moved into producing software-based synths of his own. So how good is it?

The Virus TI promises to bridge the divide between hardware and software instruments, and create a world of Total Integration, while still offering the classic Virus sound. Is it a hard reality, or have Access gone totally soft?

Granular synthesis is the core technology behind the latest time-stretching and pitch-shifting algorithms, but it can also be used to generate extraordinary evolving soundscapes. We explain how the process works and show you how to get the best from the software that uses it.

We finish our in-depth examination of Korg's new mega-workstation, taking in the remaining synth engines, the sampler, the KARMA algorithms and the onboard sequencer, and draw our conclusions about it...

Alongside Bob Moog, Don Buchla is one of the founding fathers of synthesis, and yet much less is known of him and his instruments. With this two-part review of Buchla's latest synth, and a history of some of his pioneering work, we hope to redress the balance...

For over 15 years, Korg have produced the world's most successful workstation synths, and the OASYS is their new £5400 flagship, their attempt to take the concept to the next level. In the first instalment of our two-part in-depth test, we assess how they have fared...

We test two hot new plug-ins: Camel Audio's Camel Space (PC VST & Mac OS X AU) and TC Electronic's DVR2 (Mac/PC Powercore).

Basement Arts Frantic, Cakewalk Z3TA+, and Progress Software Soup get the install treatment.

Part 2: We conclude our review of Roland's fabulous new rackmount synth, and look at the built-in VC1 and VC2 cards, which respectively convert the V-Synth XT into a fully functioning D50 and a powerful vocal-processing synth.

Every major sequencer manufacturer now sells software synths for use with their recording applications, but MOTU's MX4 had not been out long before an updated version was announced. We find out whether v2 was worth the wait...

Native's sound design software is back, and with v5, you have more control over your instruments than ever — offering fully user-definable looks, the ability to construct your own modules from scratch, and an improved library. We get patching...

Part 1: The V-Synth repackaged Roland's groundbreaking Variphrase technology, creating a powerful new kind of sample-based synthesis. Now there's a rackmount V-Synth, and (as you'll discover in Part 1 of our two-part review) it's more powerful than the first...

Forget completely flexible software synthesis — what everyone wants, it seems, is emulations of 35-year-old monophonic analogue synths! We check out the latest modelled Minimoog, and see how it compares to the original hardware.

Xpress Keyboards features cut-down versions of NI's B4 tonewheel organ emulation, Pro 53 Prophet 5 emulation and FM7 DX-alike.

The Fantom X is Roland's best-ever workstation, but it has suffered from one or two annoying omissions, such as the ability to import Roland's own sample format. We explore the Fantom Xr rack module and ask if the v2 OS and editing software provide the solutions?