The hugely popular Microkorg — the worlds best-selling synth for the past few years, according to its makers — has gained what Korg describe as a big brother. Will it repeat the success of its sibling?
Arturias first true hardware synth aims to let you conveniently create your own modular system from modelled components of some of the best-loved analogues of all time. How well does it realise this ambitious goal?
Truly original and innovative software is a rare thing these days, but Camel Audios latest is exactly that. Find out what it is that sets Alchemy apart from the soft-synth crowd...
In the early 60s, pioneering British composer Daphne Oram set out to create a synthesizer unlike any other. The engineer who turned her ideas into reality was Graham Wrench.
Wowa Cwejman is already in possession of a fine reputation for esoteric synth modules, but he hasn't run out of ideas yet. Join us as we take a tour of his latest creations...
Is there still a place for the workstation in the computer dominated studio of 2008? Korg certainly think so, and they're making a compelling case with their brand-new, touchscreen-equipped M50, offering much of the power of the acclaimed M3 for around half the price. Our world exclusive review digs deeper...
The new Virus is one of the most affordable ever and currently the cheapest way to get a slice of Access' Total Integration technology — but does cheaper mean compromised?
Arturia's 'hybrid instrument' teams a custom keyboard with their massive synth patch library plug-in. Is this the way forward for hardware/software integration?
The Wretch Machine sounds absolutely terrible — but that's exactly as its creators, Metasonix, intended. To see what valve-powered synthesis can do for you, read on...