Synthesizers

Arturia caught our attention with Storm, the virtual studio suite, but of late they have diversified into emulating classic hardware instruments. So how do they fare in their attempt to capture the mighty Minimoog in software?

Long before its debut this Spring, the new keyboard workstation from Korg was already the subject of much speculation. We find out what's really going on inside the OASYS's sleek metal case.

If you want to get your hands on the latest VST Instruments and Plug-in effects, but don't fancy having a PC in your studio, Muse Research's Receptor could be the answer.

Giving a modern instrument the same name as a line of vintage analogues that have an assured place in the synth hall of fame invites comparisons. So is the Juno-D the rightful heir to the Juno throne or more of a young pretender?

Less really is more — the 'smaller' name suggests a cut-down follow-up to 2003's Ion synth, but in fact the Micron includes most of the spec of its predecessor, and has added effects and a built-in sequencer too.

It's a great concept — a keyboard synth that can run computer plug-ins. Open Labs have created one by putting an entire PC inside a keyboard. But is it a recording revolution, or an overpriced processor in a fancy case?

Concrete FX's plug-ins incline towards the less well-trodden areas of sound generation, and their latest is a wavetable synthesizer that recalls the Waldorf Microwave.

Roland's affordable new guitar synth incorporates improved pitch-tracking, and comes bundled with the latest GK-series pickup as standard.

Storm, the French software studio from virtual-instrument creators Arturia, keeps on improving. We check out version 3.

2002 saw the release of the Evolver, a quirky hybrid analogue/digital synth and sequencer from Sequential synth pioneer Dave Smith. Now he continues his renaissance with a four-voice polyphonic version that integrates neatly with the original.

It's back! And it's deadlier than ever! We get a first look preview of the next-generation Virus...

Tassman is not the oldest 'virtual modular' software synth, but it's always been one of the better ones around. We check out the latest version...

With pattern-based sequencing, plenty of presets and a powerful analogue-style synth, Cakewalk's affordable soft studio package could be a valuable compositional tool.

Since the release of the Voyager analogue monosynth last year, Bob Moog's company have been busy producing OS updates, special-edition versions, and accessories. We bring you up to date with a look at the lot.

Although the Ion is already well-respected for its sound quality, its synthesis architecture is also surprisingly flexible. We show you how to get the best from this little beast in your studio.

If your computer could sing, what would it sound like? With the Cantor software synth from Virsyn, you can find out...

Walk inside Philip Taysom's studio and you will find classic synths in abundance, all connected and all ready to play...

In this ever-changing world of virtual analogues, modelled instruments, and software emulations, it's a pleasant surprise to find that some companies are making synths the old-fashioned way. But is nostalgia really what it used to be?

No, we haven't got that the wrong way around... it really is a CV-to-MIDI converter. But why would you want such a thing? Read on...

If you are looking for effects and instruments to give your mixes a sideways slant, Cycling '74 might have just the thing...

As a member of the Mahavishnu Orchestra, a composer for film and TV and a performer in his own right, Jan Hammer helped to define the role of the synthesizer player in rock and jazz.