SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
We investigate an experimental system that promises to retrospectively add Yamaha CS80-style expression control to any keyboard.
In a shop recently, I was almost persuaded to buy some Mogami XLR cables.
Could this comparatively affordable passive EQ with valve make-up gain actually be better than the revered Pultec unit that inspired it?
This month, we take on some computer glitching problems and fix up the acoustics in a newly completed loft conversion.
Mutec manufacture high‑performance master clocks, and digital-format and sample‑rate converters. Everything is well designed,...
If you're serious about recording and mixing you need to set a consistent reference level to which you can always return. Our seven‑step guide explains how to do it.
I'm a long time reader of Sound On Sound, and a studio owner. A colleague of mine recently discovered that the suite of...
SPL's Crimson combines a high‑quality interface and monitor controller into one conveniently sized box.
I have some vintage Tweed mic preamps which have an input impedance of 1kΩ, and I know most mics have an output impedance of...
This desk combines three 4U‑high equipment bays at the back of the desk, with a deep monitor surface above, and a sturdy keyboard shelf below, capable of carrying an 88‑note master keyboard.