Keyboards

The price of controller keyboards has fallen sharply over the past few years, but whoever thought that we would see an 88-note weighted-action keyboard with aftertouch for under £500? Enter CME's UF8...

M-Audio have been producing impressive, inexpensive controller keyboards for some time, and have recently moved seriously into Firewire interfacing. The new Ozonic seeks to combine both capabilities in one product — and all for less money than you'd think...

Hammond's 'New B3' was the best-ever digital emulation of an electro-mechanical organ, but at over £15,000 it didn't come cheap. Fortunately, the XK3 puts the New B3's sound engine into a much more affordable package...

Korg's Microkontrol was a highly versatile, yet compact MIDI controller — but perhaps, with its three octaves of miniature keys, it was too compact. The Kontrol 49 looks set to put that right with its four-octave, full-size keyboard.

At £1099, the Xa is the most affordable keyboard in the Fantom range. But, inevitably, features have been removed to make it such a bargain. Have Roland thrown out the works from the workstation?

No-one can doubt Fatar's long-established record for making quality MIDI controller keyboards, but that market has become highly competitive over the past couple of years. Can the VMK188 hold its own against all the budget alternatives?

Long before its debut this Spring, the new keyboard workstation from Korg was already the subject of much speculation. We find out what's really going on inside the OASYS's sleek metal case.

Even the best weighted keyboards and sample libraries offer only an approximation to the feel and sound of an old-fashioned piano. So what if you just can't do without the real thing, but need to have your notes output as MIDI? Enter the Piano Bar from synth pioneers Bob Moog and Don Buchla...

Giving a modern instrument the same name as a line of vintage analogues that have an assured place in the synth hall of fame invites comparisons. So is the Juno-D the rightful heir to the Juno throne or more of a young pretender?

Thin is clearly 'in' amongst manufacturers of keyboard controllers. Mere months after the arrival of Edirol's slender PCR1, M-Audio weigh in with the equally waif-like O2. But is it slim and trim, or just a lightweight?

Less really is more — the 'smaller' name suggests a cut-down follow-up to 2003's Ion synth, but in fact the Micron includes most of the spec of its predecessor, and has added effects and a built-in sequencer too.

It's a great concept — a keyboard synth that can run computer plug-ins. Open Labs have created one by putting an entire PC inside a keyboard. But is it a recording revolution, or an overpriced processor in a fancy case?

It's back! And it's deadlier than ever! We get a first look preview of the next-generation Virus...

Since the release of the Voyager analogue monosynth last year, Bob Moog's company have been busy producing OS updates, special-edition versions, and accessories. We bring you up to date with a look at the lot.

The price of compact MIDI controller keyboards has come tumbling down in the past few years, but weighted-action full-length keyboards have remained relatively expensive —until now. We investigate the 88-note keyboard that runs off USB power...

There has been fierce competition over the past couple of years to create the ultimate portable MIDI controller for use with laptops. Edirol's PCR1 is one of the lightest and thinnest yet seen. Is it what we have all been waiting for?

Roland's original Fantom workstation wasn't really much competition for Korg's Triton, so it was no shock to see it revamped last year as the hugely improved Fantom S. But surprisingly, Roland have done it again. What's new this time around?

It's been an unreserved thumbs-up for Korg's bundle of software synths so far... but will the Legacy Polysix and Legacy Cell scale the same heights in the final instalment of our three-part definitive review?

In the second part of our coverage of Korg's new collection of software instruments, we turn our attention to the virtual MS20, and the MS20-shaped hardware controller. Just how well do these renditions compare to the original?

The Nord Modular offered a classic blend of flexible software and well-designed hardware in 1998. But can the improved G2 keep up with the soft synths of 2004?

Evolution's new class-compliant MIDI keyboards are a cinch to use with computer-based sequencers. But do they perform as well as their spec suggests?