Talent and hard work have taken Marta Salogni from dive bars in Italy to working with A-list mixing and production clients in the UK in less than a decade.
A combination of modern technology and skilled engineering has allowed Chicago’s landmark festival performance to be released, almost 50 years after it was taped.
In the S21, DiGiCo have made their world-class digital mixing technology more accessible than ever before. We spent some time with it, both at DiGiCo HQ and at a real live event.
My Soundcraft EFX12 mixer is pretty new, but when I try and use a channel with a microphone, and an insert cable running to an effects loop with various Moog pedals, I get almost no level from the mic. Can you help?
The cruise-ship industry is booming, and with it a number of career opportunities — for those who can meet the unique challenges of mixing live sound at sea.
Drawing our mini-series to a close, we take you on a detailed tour of the mix and mastering stages of the Damnation’s Hammer album Unseen Planets, Deadly Spheres.