Cubase

We look at how you can get the most out of Cubase and Reason using Rewire, and report on the release of the significant, yet seemingly insignificant, Cubase SX 2.01 revision.

We report on Steinberg using Nuendo to record a three-day music festival, and look at how a Cubase Drum Map can assist you in finding and working with all the one-shot drum and percussion sounds in your studio.

This first major revision to Steinberg's Cubase SX incorporates the newly developed audio engine from Nuendo 2, new features for media composers, and classic features from Cubase VST. Does it all add up to a substantial improvement over version 1?

The Drum Editor has been a part of Cubase for over 10 years now, and here we investigate its latest incarnation within Cubase SX, as well as bringing you news of a major update to Steinberg's popular sequencing software.

Your computer screen really doesn't need to be cluttered when you're working with Cubase's many windows, because Steinberg have provided handy window-management features.

Cubase SX has a Detect Silence feature and a Hitpoints feature that seem to me like they do pretty much the same thing. Are they different, and when should I use them?

Both SX and Nuendo offer plenty of scope for recording and mixing in surround sound formats...

This month we take another look at Cubase's Macro facility and discuss a selection of examples for adding some rather neat features to the program.

Navigating complex arrangements can often be frustrating, but by taking advantage of Cubase's Marker Track, you can easily define a structure to simplify the process.

The Logical Editor window is a powerful way to process MIDI data in Cubase, although it can often appear daunting to new users. What's more, it provides excuses for writers to dust off their Mr Spock quotes.

The shape of the music-technology market changed dramatically in 2002, with the two largest German music software companies gaining new ownership from American corporations. Have Steinberg reached the summit with Pinnacle?

While using keyboard shortcuts in a sequencer is nothing new, this month we explain how Cubase SX/SL takes the idea further, and look at Hans Zimmer's unique solution for accessing Key Commands in Cubase.

In this final part of our series, we look at how the major project studio-oriented MIDI + Audio sequencers (DAWs) currently handle surround.

This month, we explain how to eliminate phase problems in Cubase's Audio Editor, and round up some interesting new plug-ins.

When you work with a complex program such as Cubase VST, it's easy to overlook the hundreds of small features that are there to make your life easier.

Last month we explained how to derive a Cubase tempo from freely played MIDI. This time, we look at how to extract tempo data from unmetricised audio...

This month, we explore the murky world of Cubase's Master track in a bid to teach it the tempo of a MIDI part. There's also some hot news about updates and an excellent shareware reverb plug-in, as well as the usual tips and tricks.

More wise words on using Cubase's Score editor this month, as we explain how to create a musical score in which several voices share a single stave. There's also the usual assortment of handy editing tips...

This month we focus on the score editor in Cubase VST Score and Cubase VST/32, and offer a handy tip for recovering corrupt Songs.

This month's crop of Cubase tips covers the multitude of options available when exporting audio, plus ways of incorporating external MIDI instruments and effects into your mix.

This month's Cubase Technique introduces more features of the Interactive Phrase Synth, offers some handy hints on merging MIDI Parts, and provides some words of bitter experience on creating your own instruments in Steinberg's LM4 drum machine.