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Take some of the work out of your workflow, with Cubase 8 Pro’s Plug-in Manager.

We show you how to analyse a song using Live’s built-in tools.

When screen space is at a premium, it’s time to customise Digital Performer’s user interface.

In this video, mix engineer Cenzo Townshend gives us a tour of his new studio and shows us the techniques behind his mix of ‘Marks To Prove It’.

The audio files to accompany the Mix Rescue artilce.

Spektakulatius.

 We go back to basics and turn up the heat on an indie-rock production.

Turn noise into impulse responses for Sonar’s REmatrix convolution processor.

We help you keep your ever–growing Pro Tools sessions manageable!

Studio One’s Paint tool has some novel automation applications.

We examine the quirky but powerful ways of working with effects in Reason’s mixer.

The second in our four-part series deconstructs funk licks, discusses the implications of using live players and explains how to get more expression and feel into your sampled brass arrangements.

Recording 28 songs in five days is no mean feat. So what sort of results can you get, and what compromises are involved?

Kendrick Lamar’s To Pimp A Butterfly is one of the most ambitious hip-hop albums of recent years. Derek Ali was Lamar’s right-hand man during its making.

This page contains a directory of all media pages for June 2015.

We get to grips with Live’s deceptively powerful Analog synth.

Cubase 8 can help you experiment with different chords and voicings to fake a good performance.

Take greater advantage of Drum Machine Designer in Logic Pro X by customising Smart Controls.

We continue our catalogue of crafty Studio One techniques for better bass sounds.

For the most effective time correction in Pro Tools, you need to choose your weapon carefully...