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Learn how to mimic the immediacy of a hardware drum machine in Reason.

We explore the hidden depths of Live’s Impulse sample player.

Get the best possible results from AudioSnap in Sonar.

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There’s plenty you can do in Studio One to stop loop–based music being repetitive and dull.

We take a look at Propellerhead’s new sharing and collaboration initiative and recap your options for playing with others.

Manipulate REX loops with ease in Sonar.

Nerve 9: we show you how to add depth and body to a basic mix.

Build complex patches in Logic with MIDI plug-ins and Track Stacks.

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This page contains a directory of all media pages that hold the associated media for March 2015.

This is the story of the fall and rise of a unique Mellotron with an equally unique history.

We offer an introduction - or a refresher - to the mysteries of Live.

In their 39–year career the Fall have always embraced chaos, but perhaps nowhere more so than in the studio.

Producer and engineer Rob Kirwan oversaw Hozier’s commercial breakthrough — by concentrating on the least commercial aspects of his music.

Rolling your own loops can breath life into your compositions — especially if they can stretch and shrink on demand.

Many of Pro Tools’ editing tools offer useful alternative modes. Here’s how to get the best from them.

This page contains a directory of all media pages that hold the associated media for February 2015.

Latency can be a nightmare in digital recording. Here’s how to keep on top of it in Pro Tools.