SOUND ON SOUND
Alex Kamburov: We coax different sounds from identical guitar recording setups and try to inject some attitude into a ‘70s rock track.
Could this neat but powerful little trick save you time and frustration on each and every mix?
In search of reality, Leonard Cohen convinced his producer Patrick Leonard to abandon his hang-ups about using sampled instruments.
Engineer Brian Humphries tells the story of recording Pink Floyd’s nine-part lamentation to their lost colleague, Syd Barrett.
Live offers plenty of tools to perk up insipid rhythms.
Tracking lead vocals: We demonstrate why the element that demands most listeners’ attention also demands most of the producer’s...
Cubase’s Track Lanes system is great for speedy comping, but Track Versions brings plenty more to the party...
With Logic Pro X, there’s no excuse for leaving your music unfinished!
They form the foundation of most bands, but getting them right can be tricky. We explore the many ways to deal with bass guitars on stage.
This page contains a directory of all media pages that hold the associated media for November 2014.
Steven James Adams: Our engineer shows that there’s nothing wrong with living-room recordings if you approach them in the right way.
Properly archiving your finished projects is vital. Here’s how to do it in Studio One.
There’s lots to get to grips with in the new version of Reason.
Get an even vocal level in Sonar without resorting to compression.
From guitar amps to gates, Pro Tools’ bundled plug-ins are more versatile than you might think.
Discover the power of Logic Pro X’s advanced automation features.
In 1980 AC/DC were on a roll and nothing — not even the death of their lead singer — was going to stop them.
These files accompany Pro Tools Technique article in the November 2014 issue.
Team SOS travel to Sheffield, to help one man in his quest to realise his lofty studio ambitions.
Tom Petty’s first US number one album was mixed almost entirely without hardware — and with only two plug-ins!