SOUND ON SOUND
Use Reaper's SWS Extensions to automatically add colour and icons to your tracks.
Thirteen acts playing two sets each, in an historic venue, with minimal changeover time? It's all in a day's work for our intrepid live‑sound engineer.
Audio files to accompany the article.
Make your Cubase mixes pack more punch with master‑bus compression.
Studio One's macros can take the legwork out of repetitive tasks.
Use Sonar's editing tools to tighten up your guitar solos.
You have the skills and the gear, but how should you tackle your first sound-for-picture projects?
This month one of our engineers aims to augment the natural beauty of a baroque‑music duo playing in a church.
If you're having problems navigating in Logic Pro X, we can help you find your way again.
When Peter Gabriel made the transition from prog to pop with 'Sledgehammer' he did it on his own exacting terms...
Engineer and producer Dani Castelar accompanied Paolo Nutini through three years and 11 studios to make his acclaimed new album Caustic Love.
The first step to setting up a Pro Tools session is to understand what its different track types are for.
We make a 'live' band recording in the studio, and mix and master the results all in one day!
We look at how to get the most out of Live's compressors.
Audio files to accompany the article.
Explore Reaper's most useful new and improved features in Version 4.6.1
Use Sonar X3's Take Lanes feature to build up multi-layered performances.
Part 2: Learning to capture the behaviour of controls will take your custom Nebula creations to another level.
We get our heads round one of Reason's new sample‑based Rack Extensions, A‑List Acoustic Guitarist.