Some of the most important features of a hardware console are found in its master section. Here’s how to add them to the Pro Tools mixer.
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We explore Live 10’s new MIDI Capture and Multi-Clip editing features.
Cut to the chase with Reason templates.
Can Cubase’s Groove Agent SE4 take care of all your virtual drummer needs?
Database software might not be as exciting as the latest virtual instrument or DAW — but it can be even more effective in helping you get work finished.
We serve up some fresh ideas for vocal processing using Track Stacks in Logic Pro X.
Our engineer figures out the best way to capture a dozen songs in a single afternoon.
We explore DP’s tools for applying pitch-correction, harmony generation, pitch-quantising and pitch effects to vocal tracks.
Meet the crew behind London's Soup Studio
A list of all articles that hold associated media files for March 2018 audio and video examples. You'll find links...
His quest to capture the spirit of Avebury led former Radiophonic Workshop composer Steve Marshall to develop some unique experimental recording techniques.
With Studio One’s advanced features, latency need not be a problem.
We continue our exploration of the mastering possibilities in Pro Tools.
Small rooms are often the trickiest to get right, as our visit to a TV and film composer’s new home studio proved!
We investigate Propellerheads’ new subscription service for Reason Rack Extensions.
Drawing our mini-series to a close, we take you on a detailed tour of the mix and mastering stages of the Damnation’s Hammer album Unseen Planets, Deadly Spheres.
With arbitrary tempo restrictions to contend with and Olympic glory riding on every cut, adapting music for ice dance represents a unique editing challenge.
Greg Wells has worked with everyone who’s anyone in the world of music — but nothing could prepare him for mixing a film soundtrack!
The cruise-ship industry is booming, and with it a number of career opportunities — for those who can meet the unique challenges of mixing live sound at sea.