SOUND ON SOUND
Credits can be a vital resource to the media composer, but they can also be a ball and chain.
We might be used to rapid technological change – but is our audience?
The greatest enemy of original music in TV and film is, well, the original music.
Music commissioning has always been squalid. But today's composers get a fairer deal than Mozart ever did.
When it comes to music technology, truth can be stranger than fiction.
You can't please all of the people all of the time. Even when they are on the same production team.
There's a place for art in almost everything — even music for TV.
The pace of change in music technology can be scary, so let's be thankful for the one constant.
The world is full of products that promise to make our music better. But will clients or audiences notice the difference?
We all want our names to be associated with famous TV programmes, right? Well, it depends what they're famous for...