Classic Tracks

When the Clash entered the studio for the first time they were determined not to sacrifice their punk principles, and the fates — not to mention a sympathetic engineer and a negligent record company — were on their side...

Melding Beatlesque pop melodies with symphonic strings, multi-layered vocals and leader Jeff Lynne's generally overblown production of his own compositions

The standout track from the Beastie Boys' smash hit Ill Communication album nearly didn't make it onto the record at all — and when it did, it was the eight-track ADAT mix that made the final cut.

Originally intended for another group, ‘Kiss’ was quickly reclaimed by Prince when he heard David Z’s arrangement. Despite record company scepticism, the track became his third number one single and rejuvenated his career.

Pulp’s infectiously catchy commentary on the joys of class tourism helped propel the group to fame after nearly two decades of obscurity. Engineer David Nicholas tells us how ‘Common People’ was recorded.

Forty years after its original release, Mike Oldfield tells us the story of recording his hugely successful debut album, Tubular Bells.

Wham! went their separate ways in 1986, but the triumph of George Michael’s debut album Faith in 1987 meant that the success of his solo career was never really in doubt.

To say that producer Chris Hughes was closely involved with Recording Adam & The Ants’ biggest records would be a bit of an understatement — he got so involved he joined the band...

In 1956, Frank Sinatra revived his flagging career with an album that would define the swing sound and go on to become one of the most highly regarded in history. John Palladino, now in his 92nd year, was at the controls...

For many, (What’s The Story) Morning Glory? is Oasis’s masterpiece. Producer and engineer Owen Morris tells us the story of its creation.

Although the shock value of its lyrics and ensuing censorship earned it notoriety, ‘Closer’ perfectly exemplifies Trent Reznor’s radical use of sampling and singularly focused musical vision.

The unlikely result of a collaboration between two 4AD bands, the release of ‘Pump Up The Volume’ by MARRS was a great day for house music and copyright lawyers alike.

'Parisienne Walkways' showcased Gary Moore's virtuoso guitar work and quickly became his signature song. Its recording also provided a young engineer at Morgan Studios with his first, unexpected production credit.

Recording the White Album was a major project by any standards, not least for Ken Scott, who, at the age of just 21, found himself engineering the biggest band in the world...

'I Wanna Dance With Somebody' was a huge global hit, but it also represented a tour de force in coaxing the perfect vocal from a singer, as explained by producer Narada Michael Walden.

Soft Cell's cover of 'Tainted Love' not only catapulted the duo to stardom in the UK, but also went on to spend a record-breaking 43 weeks on the American Billboard Hot 100 chart.

The story of Don McLean's 'American Pie' goes from cryptic beginnings to massive chart success, and an eventual position as a perennial US radio favourite.

Recording Sinéad O’Connor’s breakthrough hit was easy in some ways, but difficult in others — for example, all compression was forbidden...

The single ‘Downtown’ gave Petula Clark a worldwide hit and rejuvenated her career. Presiding over the session was engineer Ray Prickett, who tells us how it happened...

The Buggles' JG Ballard-inspired 'Video Killed The Radio Star' hit the number one spot in no fewer than 16 different countries, and confirmed Trevor Horn in his career as a producer in the process.

The haunting dub of ‘Ghost Town’ perfectly captured the mood of its time, and spent three weeks at the top of the British charts during the turbulent summer of 1981.