Skip to main content
Log in
Register
Subscribe
Shop
Help
0
items
Search
SOUND ON SOUND
Home
About
Advertise
Contact
Information
Readers' Ads
Competitions
Videos
Podcasts
Case Studies
News
Latest
All News
Podcasts
Search
Case Studies
Forum
Latest Posts
FAQ
Search
Glossary
Rules
Magazine
Latest issue
Subscribe
Advertise
Publication Dates
Write for SOS
Search
All issues
Reviews
Articles
Podcasts
Glossary
Search
Case Studies
Techniques
Articles
Series
Podcasts
Glossary
Search
Case Studies
People
Articles
Podcasts
Glossary
Search
Case Studies
Sound Advice
Articles
Podcasts
Glossary
Search
Case Studies
Music Business
Articles
Podcasts
Glossary
Search
Case Studies
Latest issue
Subscribe
Advertise
Publication Dates
Write for SOS
Search
All issues
You are here
Home
Magazine
November 2000 Magazine Contents
Issue
Month
-Month
Jan
Feb
Mar
Apr
May
Jun
Jul
Aug
Sep
Oct
Nov
Dec
Year
-Year
2024
2023
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
1999
1998
1997
1996
1995
1994
1993
1992
1991
1990
1989
1988
1987
1986
1985
Reviews
link
Berklee Press music books
Reviews
link
Beyer MSB48 Phantom Power Supply
Reviews
link
Electrix Filter Queen & EQ Killer
Processors
Reviews
link
Fostex NF1A
Nearfield Studio Monitors
Reviews
link
Hughes & Kettner Red Box Pro
Reviews
link
Korg Triton Rack
Expandable Sound Module/Sampler
Reviews
link
Line 6 Bass Pod
Physical Modelling Bass Preamp
Reviews
link
Lynx Studio Technology Lynx One
PC Soundcard
Reviews
link
Native Instruments B4 Tonewheel
Organ Plug-in
Reviews
link
Nemesys Music Technology Gigasampler 160
Software Sampler
Reviews
link
Peter Siedlaczek's Advanced Orchestra Compact Edition
Sample Library
Reviews
link
Rode NT3
Studio Condenser Microphone
Reviews
link
Roland XV5080
Rack Synthesizer/sample Playback Module
Reviews
link
SPL Channel One
Valve Voice Channel
Reviews
link
Tech 21 Bass Compactor processor
Reviews
link
Yamaha AW4416
Digital Audio Workstation
Reviews
link
Yamaha SU200
Loop Sampler
Reviews
link
Yamaha UX256
USB MIDI Interface
Reviews
Techniques
link
Arpeggiator Tips
Logic Notes
Techniques
link
Broadcasting Your Audio: Part 1
Net Notes
Techniques
link
Cubase 5.0; JXsynth
PC Notes
Techniques
link
DirectConnect; Finale
Apple Notes
Techniques
link
Duophony
Synth Secrets
Techniques
link
Expanding Your Effects Horizons: Part 1
Effects Processing Tips & Tricks
Techniques
link
MIDI Master Drummer
Atari Notes
Techniques
link
Optimising G-series Macs & iMacs: Part 1
Tips & Tricks
Techniques
link
Scale Correction
Steinberg Cubase Tips & Techniques
Techniques
Sound Advice
link
An Introduction To mLAN: Part 4
Audio Networking
Sound Advice
link
Monitors Demystified: Part 2
Frequency Response Secrets
Sound Advice
link
Q. Are home produced CDS burnt differently to professional CDS?
Sound Advice
link
Q. How do I overcome distortion when using my SW1000XG audio/MIDI PCI card?
Sound Advice
link
Q. How do I record audio and MIDI onto my ADAT digital audio recorder?
Sound Advice
link
Q. How do I reduce dust in my studio?
Sound Advice
link
Q. Is a mix only as good as the monitors used?
Sound Advice
link
Q. Which factors affect the audio quality of recorded CDS?
Sound Advice
link
Q. Which mixer will send a stereo signal to my effects processor?
Sound Advice
link
Software Studios — Practical Solution Or Second-best?
Exploration
Sound Advice
link
Submitting Demo Recordings
Frequently Asked Questions
Sound Advice
People
link
15 Years Of Sound On Sound
Special Feature
People
link
DAVE MAUGHAN: Recording Cathryn Williams
Interview | Engineer
People
link
Disk Storage
Cutting Edge
People
link
HUGO NICOLSON: You Only Live Twice
Interview | Producer / Engineer
People
link
LESTYN POLSON: Recording David Gray's 'Babylon'
Interview | Producer
People
link
SEAN CLOUGH: Click Track Constraints On Musical Expression
Sounding Off
People
link
SIMON RINALDO: Bedroom Studio
Readerzone
People
Music Business
link
All About EMS: Part 1
EMS VCS3 & DK1 Retrozone
Music Business