SOUND ON SOUND
Oscillot recognise that many small studios don't have the space or resources to host multiple monitor systems, so they've created a virtual alternative to physical speaker switching.
Offering both retro analogue simplicity and modern digital recording facilities, can this device be master of all trades?
We put this versatile homage to the classic British bus compressor through its paces.
The CP Series speakers represent QSC's first attempt at an 'entry level' range. We put them to the test!
Digital wireless systems are all the rage these days, but good old UHF still has some unique advantages.
This class-compliant device works with Windows (7, 8.1 and 10) and Mac OS systems (both 32-bit and 64-bit) without the need for drivers. When not connected to a computer, the M8U eX also works as a standalone MIDI thru or merge box.
Billed as a comprehensive graphic equaliser for the cost of a few beers, Gramotech's Babylon might better be described as a very flexible multiband EQ.
Looking for pre-mixer sweetening? Finaliser R‑EQ offers three-band parametic EQ, a two-way aural enhancer that works on the top and bottom end of the audio, and basic DSP effects like reverb and delay.
If you're Eurorack curious but short on space or cash — or simply allergic to 3.5mm patch cables — Softube's Modular might be for you.
Speaker decouplers aim to isolate speakers from the surface on which they sit. This newer, more affordbale DMSD 50 Pro design has been optimised for speakers weighing up to 12kg (ie. most nearfield monitors).
Cubase celebrates a milestone birthday with an update that makes almost every aspect of the program slicker and easier to use.
The Plasma Pedal is a very different take on the distortion pedal, and it would be very easy to mistake its description as...
The Gigboard crams the processing power of Headrush's flagship Pedalboard into a compact and easy to use format.
The iD44 is a versatile USB 2.0 desktop interface with Audient's trademark audio quality.
Great vocalists are in short supply, but EastWest might have the answer...
Voice Leveler aims to even out dynamic variations in the recorded voice, but it is not a conventional compressor...
In the LS3, Graham Audio have sought to recreate a classic BBC monitor but without the 'classic' price tag.
The SOS editors take you through their favourite hardware and software of the last 12 months.
Eventide have finally landed in the sweet‑smelling meadows of Euroland with the Euro DDL, the beating heart of an Eventide digital delay in Eurorack format.