
Sonokinetic | Arpeggio
Following the modus operandi of offering very focused and specific sample libraries, Sonokinetic have turned their attention...
Following the modus operandi of offering very focused and specific sample libraries, Sonokinetic have turned their attention...
Do these closed‑back cans from German company Ultrasone have what it takes to compete with established studio models?
Hugh Robjohns gets to grips with a cable tester from Studiospares that offers great value for money.
It’s hard not to be tempted by Universal Audio’s mouth-watering range of plug‑ins, but not every Mac has a spare PCI or ExpressCard slot. Now all you need is a free Firewire port...
Telefunken Elektroakustic’s latest mic is their most affordable large-diaphragm condenser yet. Is its sound worthy of the Telefunken name?
Sony’s top-of-the-range dynamic in-ear monitors have a kind voice, with all the volume and extension you’ll need for stage use and on-the-move mixing.
With API’s 500-series 'Lunchbox' format becoming ever more popular, it was almost inevitable that someone would try to improve on the standard...
A capacious new European library takes the strain out of programming orchestral string runs.
If you’re in need of some extremely portable amplification or monitoring, Mackie’s tiny SRM150 might just save the day.
Kush have established a reputation for unique‑sounding gear that features idiosyncratic controls, and their Clariphonic is no exception...
At last, the quest to recreate the classic single-coil tone — but without the noise — appears to be over.
Paul White investigates a pair of mics that can extend your recording options considerably without depleting your bank account!
The Eon range of portable powered speakers evolves further, with new styling, improved output, and more besides.
Have you ever wished that artists could control their own monitor mixes? With this system they can, whether on stage or in the studio.
The long-awaited version 3 of the GRM Tools suite introduces three new plug-ins, the likes of which have not been seen or heard before!
Hugh Robjohns checks out a wooden-faced master clock made by Dutch engineers Grimm Audio.
Put down your bells, books and candles — this a ghost you do want in your machine...
These audio files accompany the Flea 47 review that appeared in SOS September 2011.