Immersive Audio

Whether you’re mixing or mastering in stereo, surround or immersive formats, this powerful virtual monitor controller could soon become indispensable.

Based on cutting‑edge psychoacoustic research, Virtuoso v2 aims to deliver for headphone users the most convincing emulation of ‘speakers in a room’ to date.

If you do much work with surround or immersive formats, upmixing and downmixing are a fact of life. With Penteo, good results needn’t cost the Earth.

This combination of software and multi‑channel plug‑in overcomes some frustrating hurdles for those working in Atmos.

Will Soyuz’s beautifully crafted four‑capsule mic help turn Ambisonics from a niche interest to a mainstream studio technology?

Despite support for multi‑channel inputs and outputs, this innovative delay plug‑in is equally adept at adding depth and dimension to stereo inputs and binaural outputs.

In a collaboration with tech pioneers GPU Audio, an add‑on to this multi‑impulse‑response [MIR] immersive audio reverb promises to take the strain off your computer’s CPU!

Eventide’s celebrated reverb and pitch/modulation plug‑ins have been reinvented — with immersive audio applications in mind.

Want to mix in Atmos? We take a look at compatible DAWs.

Now you can create Atmos mixes using any DAW! But that’s not all this app has to offer...

Intuitive and powerful, this compressor can handle anything from mono up to 7.1.4 Atmos sources.

Sound Particles have placed 3D audio at the heart of their new soft synth.

Sonarworks’ SoundID has improved stereo monitoring in countless studios worldwide. The new multi‑channel version is designed to do the same for immersive audio.

Designed from the ground up for processing multi‑channel Atmos sources, Spherix boasts some innovative and useful features.

A good real‑time analyser can draw attention to what our ears miss, and with multi‑channel formats that second opinion can be invaluable.

Embody’s Immerse Virtual Studio aims to replicate loudspeaker listening on headphones — and the newest variant does so in up to 7.1.6 surround.

Wouldn’t it be nice if there were a simple, intuitive way to place sources in your immersive, surround or binaural soundstage? Well, now there is!

Could a small step for Logic’s version number represent a giant leap for music production?

Embody offer a unique way to tailor their room‑simulation system to the individual user.

This debut mic from Voyage Audio combines the power of Ambisonics with the convenience of direct USB connectivity.

Immersive audio is increasingly important, and requires large multi-channel monitoring systems. Grace Design's m908 is intended to provide complete control over such a system.