SOUND ON SOUND
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From shred to salsa, Digital Performer's amp modelling tools can cater for any guitar style.
Speaker decouplers aim to isolate speakers from the surface on which they sit. This newer, more affordbale DMSD 50 Pro design has been optimised for speakers weighing up to 12kg (ie. most nearfield monitors).
Great vocalists are in short supply, but EastWest might have the answer...
This class-compliant device works with Windows (7, 8.1 and 10) and Mac OS systems (both 32-bit and 64-bit) without the need for drivers. When not connected to a computer, the M8U eX also works as a standalone MIDI thru or merge box.
The Plasma Pedal is a very different take on the distortion pedal, and it would be very easy to mistake its description as...
In the LS3, Graham Audio have sought to recreate a classic BBC monitor but without the 'classic' price tag.
Billed as a comprehensive graphic equaliser for the cost of a few beers, Gramotech's Babylon might better be described as a very flexible multiband EQ.
The Gigboard crams the processing power of Headrush's flagship Pedalboard into a compact and easy to use format.
We put this versatile homage to the classic British bus compressor through its paces.
This plate reverb emulation combines Relab's algorithmic reverberation tail technology with Kush's expertise in harmonic shaping and compression.
Searching for a crossover hit, the team behind classical tenor Andrea Bocelli turned to one of the all-time great rock producers.
Korg bring West Coast modular synthesis to the masses with their most ambitious Volca yet.
Musical creativity can be inspired by many different things, but our Editor In Chief finds that picking up an instrument he wouldn't normally play can stimulate new ideas...
Make Noise proudly promote the René as "the world's only 3D Cartesian Music Sequencer". I had no idea either, but it's been...
Max For Live has a rich assortment of step sequencers. We look at some of the best.
We put Nektar's ambitious foot controller through its, er, paces.
Oscillot recognise that many small studios don't have the space or resources to host multiple monitor systems, so they've created a virtual alternative to physical speaker switching.
Our engineer applies his mixing chops to put a professional sheen on an unrepeatable vocal-and-piano performance.
There are many ways to set up Pro Tools tracks, and not all of them are created equal!
I think an unbalanced stereo source will work fine into a balanced TRS input, but only the left channel will be heard. Am I correct?