SOUND ON SOUND
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The OC‑S10 is a premium vehicle for Austrian Audio’s highly regarded CKR‑12 microphone capsule.
William Basinski’s archival recording project gained a life of its own when the tapes began to deteriorate, and then took on a new significance in the wake of the September 11th attacks.
Focal’s latest studio‑focused headphones aim to deliver reference‑quality monitoring in a closed‑back format.
The user interface has always been a barrier to FM synthesis. Can Fors’ elegant approach make it more accessible?
The SOS team pick their highlights from hardware and software launches from 2025.
Grace Design have brought their considerable expertise to the audio interface arena.
Hifiman’s assault on the studio market continues with no fewer than four new headphone models: the Edition XV, Audivina LE, Ananda Unveiled and HE600.
Guitarist Steve Rothery is the longest‑serving member of prog‑rockers Marillion, and here he details how he got his favourite guitar sound on Marillion’s ‘The Great Escape’.
To perfect Olivia Dean’s intimate, personal sound world, the artist and producer/songwriter Zach Nahome decided to step outside the studio.
The latest version of Ozone promises improved AI assistance and adds some interesting mix‑repair options to its powerful mastering toolkit.
We tend to overestimate the effect of a technology in the short run and underestimate the effect in the long run. In the near term, my feeling is that the bigger transformation will be the quiet one wrought by assistive AI.
Alchemy’s granular engine is a sonic playground with infinite possibilities!
In recent years, French company Arturia have steadily been growing their collection of effects plug‑ins, and now a recreation of the Studer J37 joins the line-up.
Brainworx’s latest offering is bx_pulsar, and just as bx_aura does for reverb, bx_pulsar can handle conventional delay treatments while also providing some very interesting creative options.
Mark J.T. Griffin’s unofficial biography stems from a long‑held interest in and passion for Vangelis’ work.
Warm Audio’s latest overdrive pedal is the Tube Squealer, and with its name and green case that slopes down slightly at the front, there’s little doubt as to what it’s based upon!
SED‑CSM, from Berlin’s Rides In The Storm, is a full analogue synth voice, with its own mixer, packed into a big‑but‑really‑very‑small 36HP.
SuperKar+ can produce up to 32 voices and has a bi‑timbral split to offer a Chord voice and a separate polyphonic Solo voice all within the one 12HP module.
Founder of Rides In The Storm, Berlin‑based Uwe George Giegler is a designer whose precocity is matched only by his talent at circuit building.
I have a tower PC that I had built specially for music production a few years ago. It used to work fine, but now I have to boot it twice before I can get Windows running.