SOUND ON SOUND
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The Polish pioneers pair their plug‑in remote control system with a classic analogue compressor.
These live‑oriented pencil mics offer excellent performance at a very attractive price.
Zoom’s AMS interfaces are small, simple, and extremely tough.
These new all‑analogue simulations run a real tube on a high‑voltage supply, and cover a useful range of tonalities.
Designed for beginners and users on a budget, ESI's Neva Uno and Neva Duo interfaces offer low latency performance, 24-bit / 192kHz operation, and come supplied with a useful bundle of software.
The English Channel combines CEntrance’s SoapBox, BlackCab, and Portcaster devices with a custom desktop enclosure, providing an all-in-one channel strip with a built-in SD Card recorder and audio interface.
Rather than providing a clean gain boost, the Launcher Deluxe from Soyuz has been designed to provide saturation for both microphone and line-level signals.
The 1977 combines an ultra-clean microphone preamp with a three-band parametric EQ, a compressor and three types of variable saturation.
IK Multimedia’s mini Axe has everything you need for recording solo guitar.
Does Line 6's streamlined approach to amp modelling manage to provide all the features needed for stage, studio and home?
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The AXE I/O ONE offers a similar feature set to IK Multimedia’s larger AXE I/O devices in a smaller and more affordable package.
The N-Trophy is an all-discrete, modular in-line analogue console that aims to provide users with everything they need to record, mix and master in a single package.
There’s much more to APS’s new studio speakers than meets the eye.
The XP‑Relay combines CB Electronics’ sophisticated patchbay control system with the purest possible signal path.
Kurzweil’s new stage piano makes the case for simplicity as a virtue.
Ever wanted to run already recorded signals through a guitar amp or stompbox? One of these boxes could be all you need...
