SOUND ON SOUND
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In a world where makers of digital amp simulators take pride in offering a huge variety of models, Universal Audio have adopted a ‘less is more’ approach.
I did the sound for a new band last night and spent the first set sorting the keyboards out, which failed in the second song....
The SOS team pick their hardware and software highlights from the last 12 months.
They form the foundation of most bands, but getting them right can be tricky. We explore the many ways to deal with bass guitars on stage.
Apogee introduce their own take on the DSP‑powered audio interface.
Working on tape with the Red Hot Chili Peppers forced Ryan Hewitt to revisit old‑school mixing skills — and find ways to adapt modern techniques to the analogue domain.
I am a regular reader and consider myself fairly well informed, but I'm struggling to find the answer to a really simple...
New series of USB audio interfaces boasts quality conversion, ultra-low latency and high-performance preamps.
Re-sculpt your bass guitar recordings with DI simulation, insert effects and part doubling in Logic Pro X.
Elbow reacted against lockdown and their own tried and tested methods by hiring Brighton’s Theatre Royal as an improvised studio space.
Can one guitar amp really meet all your needs, from night-time recording in your bedroom to rocking out at high volume on stage?
Austrian Audio turn their attention from studio to stage, with an intriguing new vocal mic aimed at live performance.
With its innovative modular approach to sound engines, this powerful stage keyboard should suit the needs of most performers!
I use a laptop live for sequencing and soft synths, but I can hear an annoying whining sound through the PA, which definitely...
The EVO 16 targets newcomers to recording, but offers some surprisingly professional features.
The Buzz MIA 1.0 is designed to solve interfacing problems between unbalanced instruments and balanced recording systems.
Though billed as a high‑quality single‑channel mic preamp, the EC1 is a whole lot more.
Paul White's looking at a gadget to improve impedance mismatch.
Why let guitarists have all the fun? Stompboxes can be inspirational mixing tools.
If you thought IRs were the closest software could come to the sound of a real speaker, think again!