SOUND ON SOUND
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McDSP founder Colin McDowell chats to Sam Inglis about his career at the cutting edge of plug-in development.
Grammy Award-winning engineer Bob Clearmountain details his unique approach to mixing music in Dolby Atmos using an analogue desk.
Are manufacturers becoming more willing to pursue original design concepts?
The capacitor microphone is an incredible feat of precision engineering. We go behind the scenes in Vienna to find out what makes it possible.
Can a legendary engineer create immersive audio mixes without giving up his beloved SSL console? Of course he can!
Spotify At Mateo isn't your average recording studio. Designed to support the Spotify Singles programme and provide facilities for podcasters, it's an epic build that is stuffed to the gills with the best vintage and modern gear.
Amazingly, Audeze have shrunk their proven planar magnetic driver technology to fit into a conventional earbud format. How do they sound in practice?
Hifiman’s mission to democratise premium headphone technology continues.
The glory days of the stereo microphone are long gone — or are they?
For Elton John, sorry seemed to be the hardest word. For the sound engineer, it’s something we all have to say sooner or later...
In this occasional series of Sound Advice articles about buying gear for your studio, we'll be looking at a different piece of studio equipment and trying to help you decide if you really need it.
It’s useful to be able to work on headphones even when mixing immersive audio. Does Genelec’s Aural ID system make this easier?
Tony Ni from Soundtoys sits down with Sam Inglis to discuss his mixing workflow and to explain how he uses core Soundtoys plug-ins to achieve his sound.
It’s essential to every studio, but acoustic treatment can also affect our health — and that of the planet.
Is the most affordable version of Avid’s DAW still a serious music production tool?
Like other Baby Audio plug‑ins, Crystalline combines great sound with a refreshing GUI.
The EVO 16 targets newcomers to recording, but offers some surprisingly professional features.
Every studio needs at least one good vocal mic. Is Audix’s A231 the right choice for yours?
Can headphones really replace a high‑end monitoring setup? Neumann seem to think so...