SOUND ON SOUND
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Sonarworks’ SoundID has improved stereo monitoring in countless studios worldwide. The new multi‑channel version is designed to do the same for immersive audio.
We test Fluid Audio’s most ambitious monitor yet.
IK’s affordable iLoud range has grown into a serious monitoring tool. We put their new flagship to the test.
The latest model in Neumann’s celebrated KH series sets a new standard for nearfield monitoring.
PMC’s new nearfields push the boundaries of what a compact, two‑way speaker can achieve.
If you need a pair of portable and compact monitors, the Epic 4s have you covered!
Thanks to their innovative driver technology, these audiophile cans could prove a valuable tool in the studio.
Focal’s premium ST6 series promises monitoring without compromise.
Focal’s new MTM speaker offers remarkable bang for your buck!
There’s more to ReProducer’s flagship speaker than its unusual looks!
How do Beyer’s new studio cans compare with the competition?
Elbow reacted against lockdown and their own tried and tested methods by hiring Brighton’s Theatre Royal as an improvised studio space.
Main studio monitors these days are packed full of technology — but that wasn’t always the case, and it took an innovative British hi‑fi brand to drag mains out of the dark ages.
Avantone’s newest monitors revive a classic speaker brand and channel the ’70s West Coast studio sound.
British bass‑amp brand Ashdown’s debut monitor is inspired by the classic BBC LS3/5a. How does it compare with the real deal?
This impressive setup combines point‑source technology, advanced loudspeaker management DSP and a powerful new bass extension system. Is this the state of the art in studio monitoring?
HEDD’s impressive Mk2‑series speakers let you choose between ported and unported formats. Which works best?